While following a link to the recently announced song that will be the theme for Peacemaker Season 2 ("Oh Lord" by Foxy Shazam), I noticed that YouTube has helpfully created a Mix, which they describe as "a nonstop playlist tailored to you." I always say I'm not really a music guy, so it's very kind of YouTube to decide for me what music I like.

This is the first 50 songs (eliminating duplicate artists) in my current Mix. Let's see how the algorithm did.

1. "One Night in Bangkok," Murray Head (1984)
2. "Original Sin," Taylor Dayne (1994)
3. "Maps," Yeah Yeah Yeahs (2003)
4. "Chaise Lounge," Wet Leg (2022)
5. "Owner of a Lonely Heart," Yes (1983)
6. "Mr. Blue Sky," Electric Light Orchestra (1977)
7. "It's the End of the World as We Know It (and I Feel Fine)," R.E.M. (1987)
8. "Breakfast at Tiffany's," Deep Blue Something (1994)
9. "Only Happy When It Rains," Garbage (1996)
10. "Teenage Dirtbag," Wheatus (2000)
11. "All the Things She Said," t.A.T.u. (2002)
12. "That’s Not My Name," The Ting Tings (2008)
13. "Got My Mind Set On You," George Harrison (1987)
14. "Video Killed the Radio Star," The Buggles (1980)
15. "Dancing Queen," ABBA (1976)
16. "You're the Best Around," Joe Espisito (1984)
17. "Do Ya Wanna Taste It," Wig Wam (2005)
18. "Loser," Beck (1994)
19. "Buddy Holly," Weezer (1994)
20. "Here It Goes Again," OK Go (2005)
21. "I Love It," Icona Pop (2013)
22. "You should be sad," Halsey (2020)
23. "I Ran (So Far Away)," Flock of Seagulls (1982)
24. "Head Over Heals," Tears for Fears (1985)
25. "Burning Down the House," Talking Heads (1983)
26. "You Can Call Me Al," Paul Simon (1986)
27. "Message in a Bottle," The Police (1979)
28. "Love Will Tear Us Apart," Joy Division (1980)
29. "Steppin' Out," Joe Jackson (1982)
30. "Mr. Roboto," Styx (1983)
31. "Daydream Believer," The Monkees (1967)
32. "End of the Line," The Traveling Wilburys (1988)
33. "Miami Dolphins Number One," Lee Ofman (1972)
34. "Paint It, Black," The Rolling Stones (1966)
35. "The Passenger," Iggy Pop (1977)
36. "Coming Up," Paul McCartney (1980)
37. "Steal My Sunshine," Len (1999)
38. "Groove Is In The Heart," Deee-Light (1990)
39. "Don't You Want Me," The Human League (1981)
40. "Blue Monday," New Order (1983)
41. "Take On Me," a-ha (1985)
42. "Come On Eileen," Dexys Midnight Runners (1982)
43. "In a Big Country," Big Country (1983)
44. "Cars," Gary Numan (1979)
45. "C'mon, Let's Do It," Gerhard Heinz (1977)
46. "Turn It On Again," Genesis (2004)
47. "Life In a Northern Town," Dream Academy (1985)
48. "Flash's Theme," Queen (1980)
49. "Roam," B-52s (1985)
50. "Breakout," Swing Out Sister (1986)

Wow. If I was picking songs for myself, that's not the list I would have made. I mean, if I only get one Genesis song, I'd prefer it was "Land of Confusion" with its overt Superman reference and kick-ass electronic drums. But I cannot deny that yes, that is all Walter Music. I have a real emotional connection to some of those.

I see where your head is, YouTube programmers: audio honeypots! Nostalgia captures eyeballs, even mine.

The one song on that list that stands out to me is "Love Will Tear Us Apart," which is fine; it's just not a song I ever seek out. (I don't recall ever even Googling it. Is it there because of "Blue Monday," the Joy Division/New Order connection?) I also find it interesting that despite including Roy Orbison, Bob Dylan, Paul Simon, and two Beatles, only three of the above performances are older than I am. Fun fact: As I type this in 2025, there are more surviving Stones (3) than Monkees (1).

In case you're curious, as I was: the average year is 1989, the median 1985, the mode 1983 (5). That sounds about right, as '83 was the year of Thriller. I still remember where I was when I watched the debut of the video on MTV (on a cabinet-sized, wood-paneled television with knobs!). We watched a lot of MTV in '83. We also watched a lot of Night Tracks on the TBS Superstation in the wee hours of Friday nights. That's what we had to do before YouTube, kids: stay up real late in the hopes that they would play our favorite songs.

And yes, I just listened to every song on that list again. Don't stop to ask. And now you've found a break to make at last. You've got to find a way. Say what you want to say. Breakout.

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66/2232. Something's Gonna Live (2009)
This documentary follows Robert Boyle and his friends reminiscing about the highs and lows of their Hollywood careers. There's a lot of grumpy-old-men complaining about how things have changed since their heydays in the 1950s through 70s (such as working for Hitchcock), but there's also a lot of open admission that the "good" old days weren't always so good (especially for minorities and the disenfranchised). A good documentary for cinephiles.

67/2233. The Dancing Detective: A Deadly Tango (2023)
Not so many years ago, Lacey Chabert was Hallmark's crossword-puzzle writing mystery solver. Now she's an undercover American agent on Interpol assignment in the ballroom of a corporate murderer. The crossword-writer was more believable. It's all very contrived, but I'll take what I can get after The Pandemic reduced the flow of new made-for-tv mystery movies to a trickle.

68/2234. Shazam! Fury of the Gods (2023)
Much has been said in reviews about the third act's bad CGI and extended Skittles product placement, but the real problem with this sequel is Shazam himself. Zachary Levi plays the Big Red Cheese like a complete moron. What can I say other than he's not MY Captain Marvel.

69/2235. Deep Valley (1947)
This movie made so little impression on me that I just had to look it up on IMDB to remind myself what it was: poor little Ida Lupino is a socially deprived mountain girl who falls for an escaped criminal good-for-nothing. Spoiler alert: It doesn't work out.

70/2236. Inside Moves (1980)
For a movie that begins with a very graphic suicide attempt, this movie about a cast of characters struggling through physical disabilities that put them on the margins of society is surprisingly uplifting. Directed by Richard Donner, there's even a running sight gag of a Superman: The Movie pinball machine inside the local hangout at the center of the film. It's all very good.

A cripple walks into a bar... and orders a Coke!

71/2237. Thief (1981)
James Caan really inhabits the role of an ex-con who gets squeezed by some very stupid, stupid men. Like most Michael Mann films, I didn't love it, but I respect it.

More to come.

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I posted this panel from of Mary Marvel and Hoppy from New Champions of Shazam #2 (a delightful comic) on Twitter yesterday, and it has far, far more retweets than anything I've ever posted in the 11 years I've been on that site.

words by Josie Campbell + art by Doc Shaner = 100% Marvelous

Granted, most of the things I post on Twitter are related to an entirely different and much less well-known comic book character (no, not Batman but Booster Gold), but whatever. If it influences more people to read the comics I like (which in turn encourages DC to make more of the comics I like), I'll call it a win.

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I saw exactly two movies in theaters in April. To no one's great surprise, they were

59. (1498.) Captain Marvel (April 2, 2019)
75. (1514.) Shazam! (April 28, 2019)

Marvel Comics got to call their movie Captain Marvel despite their character not taking that name until the mid-2000s, whereas DC's Captain Marvel movie was called Shazam! despite their character having been called Captain Marvel *until* the mid-2000s. Comics are strange.

Both films prove the old adage that a hero is only as good as their villain. Marvel's Captain Marvel twists itself in a very unfortunate knot to give her two whole races of badass yet sympathetic aliens to punch. Sadly, the twist doesn't make a lot of sense, but it's far better than the personality-free baddie that DC's Captain Marvel is pitted against. He just wants to fight things, which is fine if all you want from your movie is watching computer generated scenery crumble. Yawn.

Despite that, I can't say that one movie is really better than the other. Captain Marvel is aimed at a more mature crowd and I did enjoy it more, but I suspect kids will enjoy what they've been given in Shazam!. Everyone has to watch their first superhero movie eventually, and Shazam! would be a fine enough place to start. It's not amazing, but it is comparable to the super hero films I had access to as a kid. Condorman is no Casablanca, but I remain a fan.

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They can stop making super hero movies now.

53. (1492.) Aquaman (2018)

What a film. Those underwater effects, especially that CGI hair! That chemistry between the male and female leads! And all that that murder! (Our heroes kill, what, hundreds? Thousands? Bah, they had it coming! Get 'er done!) I don't have the words. Simply indescribable.

I suppose if I wanted to pick at nits, I could ask how someone with skin strong enough to resist grenade blasts could get a chest full of tattoos. Or why he wears his boots in the water. Or why he can swim faster by not kicking his legs. Or how he knows the secret Atlantean technique to spin a trident that his brother, the trained Atlantean warrior, doesn't. Or many, many other things. But Aquaman doesn't care about such things. Who's got time for details when you've got a whole ocean of things to kill, dude bro!

Hands down, my favorite quote was when Aquaman was riding in his girlfriend's magical underwater car and says "Shit happens." Boy, does it!

Good luck topping that, Shazam!.

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Today is Leap Day. That makes it Superman's birthday. And anything good enough for Superman was good enough for Captain Marvel to steal, so it's Captain Marvel's birthday as well.

When the wizard Shazam turned Billy Batson into the world's mightiest mortal, he created a bit of a problem. See, Billy Batson and Captain Marvel are two different people, at least as far as the world is concerned. Therefore Captain Marvel couldn't just have the same birthday as Billy Batson, because then the good Captain's enemies would be able to discern his secret identity by threatening all 6,000 or so people born on the same day as Captain Marvel. (Back in the Golden Age, super villains had a lot of time on their hands.)

Rather than select a "birth" date completely at random, Captain Marvel chose a date just to cheese off his arch-nemesis, Dr. Sivana. Perhaps behavior like this is the reason that he has an arch-nemesis.

So if you learn just one thing today, perhaps it should be not to go out of your way to remind your adversaries of their failures. That's not a good way to make friends.

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This is the 123rd and final post for Wriphe.com/blog in 2009. While it seems like spring was just a few short weeks ago, mere days now remain until 2010 (the year we make contact). The older I get, the faster time seems to move. According to the theory of relativistic time dilation, that means that either I'm slowing down in relation to my surroundings, or more likely the world is spinning faster than before. Since I refuse to believe that I'm not a constant, the world must be increasing in velocity. But I guess that's impossible, isn't it?

Damn you, Superman. In addition to making time seem to move faster, now you've also electro-magnetically erased my hard drives (and given Captain Marvel an erection). Thanks a lot, Man of Asshole.

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As I said earlier this month, I was re-reading A Lonely Place of Dying, which essentially launched the third Robin, Tim Drake. Drake's first appearance as Robin was in Batman #465. Norm Breyfogle's cover of Batman and the new Robin caught in a spotlight pays homage to a long standing tradition of images of Batman (and occasionally Robin) caught in a spotlight.

Now, by "homage," I mean "lazy rip-off of." It's much easier for an artist to duplicate something he's looking at than to create something on his own. Especially in the break-neck paced comic book artist's demanding schedule. I mean, Alex Ross must put out a work a day; he doesn't have time for original composition. And who can blame him when he can simply spit out a "re-imagining" of a previously-composed image for reproduction on a limited edition collector's plate, pick up his check, and add another Shazam! Mego to his personal Captain Marvel collection.

Not that I'm knocking Ross' work, mind you. Comic artists, even the talented ones like Breyfogle and Ross, have been recycling poses and covers since they learned to draw. Heck, that is exactly how they learned to draw. Take a look at the following 2 covers. On the left, the original inspiration for spotlight images to follow, Batman #9. On the right, a book published one year later, Batman #16, recycles the original art, merely flipping it horizontally. (Note the failure to colorize Robin's cape underneath the flashlight. I suppose we should be thankful that they re-drew the "R" on Robin's chest.) You simply don't get lazier than that.

All these covers make me wonder why Batman and Robin always seem so afraid of the light. Seems symbolic, somehow, doesn't it? Granted, if in the middle of the night I was hanging around with a minor while we were wearing capes and underwear, I probably wouldn't want to be seen either.

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