Look, I love Benson Boone's "Mystical Magical" as much as the next guy, but after hearing it in every commercial break since ESPN's coverage of the U.S. Open used it for intro and outro bumpers in August through this week's NFL coverage, maybe there is such a thing as overexposure.

I'm not alone in thinking that. There is, Google assure me, a pretty sizable backlash to the rapid, overt commercialization of Mr. Boone's music. Selling out is fine in America; greed, not so much. The singer and his team are aware of this, and his music video for "Mr. Electric Blue" makes a good-natured joke of it by removing any hint of the hypocrisy that pollutes the modern zeitgeist. (Yes, despite being an old fogey who doesn't really care for music, I do watch music videos on YouTube as the Internet Gods intended. The old-school media's widely reported recent death of Music Television has been greatly exaggerated; music videos are not dead, linear television is.)

It's kind of a funny thing to say that you could hear any piece of music "too much." Despite the tendency of human beings (at least American human being) to resent the familiar, there are a bunch of songs I just never get tired of hearing. Back in the day when I was a waiter at Chili's, the chain played tapes of licensed music over and over until the entire wait staff would gather around the back office cassette player and argue over which tapes management was NOT allowed to play again that day. (No tapes were ever destroyed, but some were occasionally hidden. I hope they still haven't been found.) Despite the repetition, there was one song on those tapes that I could never get sick of. I bet you'd never guess that it was "Silly Love Songs" by Wings. Live and let die, indeed.

Several Paul McCartney songs, both with and without co-writer John Lennon, are high on my list of endless listening, which probably demonstrates that I have a high tolerance for what McCartney is interested in writing: the poppiest of pop music. Fizzy, friendly, sugary pop music. Overproduced sounds that have a good beat and you can dance to, lyrics that really shouldn't be thought about too hard. That's my jam. Music crafted to please the widest possible music-illiterate crowd, "Moonbeam ice cream" sort of stuff, like Dua Lipa, Katie Perry, Madonna, Michael Jackson, or, say, Olivia Newton John.

And please crowds they do. Why else would Madison Avenue adapt catchy tunes for advertising in Apple product ads or the memorable '90s Philips campaign that used the Beatles "Getting Better" (somehow always fading out just before the "it can't get no worse" refrain) or this year's sanitized-for-Christmas "Greased Lightnin'" (with zero creaming girls) or Target's 2025 commercials of their animated Get-Ready Yeti dancing to "Mystical Magical."

Okay, fine. I'm not sick of moonbeam ice cream just yet. 'Cause once you know, once you know...

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I'm starting to feel like a broken record, but the coming year has got to be better than the last, right?

The legacy of 2025 will be that of a time of transition. I have lived through the coming of cable television and the Internet and social media and smart phones and now AI and the loss of newspapers. More than ever, it feels like the billionaire-run corporations own us, body and soul. It certainly doesn't help that the elected head of our government, the man who is supposed to be a champion of the people, is shattering every cultural and economic norm he can reach.

Take heart that there are a lot of us feeling fed up right now. And, as always, the voices of history can provide some guidance in these troubling times:

Someday, somebody's gonna make you want to turn around and say goodbye. Until then, baby, are you going to let 'em hold you down and make you cry? Don't you know? Don't you know, things can change? Things will go your way if you hold on for one more day.

Can you hold on?

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Since I've already made such a big deal about how "Spider-Man" is one word...

Spiderman

You might notice there's no hyphen in that title. That's how they spelled it when the song was included in the 2005 box set Weird Tales of the Ramones, which for all I know is how it was spelled in 1995 when it was released as an unlisted bonus track on the Ramones final studio album, ¡Adios Amigos! CD, which I bought just for that secret track. A slightly different version of the song, also by the Ramones but spelled with the Marvel Comics approved hyphen, is on Saturday Morning: Cartoons' Greatest Hits, also from 1995, which I have never owned because most of its covers of classic cartoon themes are not improvements over the originals. Not every band can be the Ramones.

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Recent circumstances conspired to take away my TCM but grant me a month of Netflix access. So, at the recommendation of Friend Ken, I started at the top:

104/2536. KPop Demon Hunters (2025)
If you wondered why Google reported that 6 of the top 10 Halloween costumes for 2025 were characters from this movie, the answer is simple: it's good. Very good. So good, in fact, I cannot believe that Sony and Netflix didn't negotiate a more traditional box office release. The creators learned all the right lessons from George Lucas's usual box of tricks, taking inspiration from a bunch of long pre-existing concepts and designs, blending them into a story of good versus evil in a lived-in world, and pouring the results into a time-tested, character-first dramatic format that is comfortable and rewarding to viewers. For extra Star Wars vibes: like Fox in '77, Netflix seemed totally unprepared for the flood of demands for kids' merchandise. History may not repeat itself, but it sure as hell stutters.

As amazing as John Williams is, what Star Wars does not have is pop songs. It's no accident that the Kpop soundtrack has had a very catchy (and plot advancing) song from the fictional Huntr/x at the top of the Billboard global charts for 15 weeks and counting. A song, I'll point out, that has a one-word title:

Golden

Kudos to all involved; I hope you like printing money. (Count me in for a Derpy Tiger Funko Pop! figure, if ya'll can ever actually get them to market.)

More to come.

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Super Heroes

Sure, technically the song title on the musical and movie soundtrack are two words, but Rocky Horror is British. Here in America, home of Superman and Spider-Man, we spell it as one word (sometimes, at Spider-Man's insistence, with a hyphen). So I'm counting the song as a one-word wonder.

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One

Also: The number of wins the Miami Dolphins have earned in the 2025 season so far.

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How did I spend my 9/11? By celebrating the invasion. The British Invasion.

When it was announced that Herman's Hermits were coming to town, Mom bought tickets. (She thinks lead singer Peter Noone is cute.) She needed a companion, and I was recruited. She said I'd be the youngest person in the room. She was right with the possible exception of Mr. Noone himself, who clearly really, really enjoys performing to a live audience. He was charming, funny, and a talented impressionist in addition to sounding pretty much the same as he did sixty years ago.

Now, I did a little research. I was familiar with many of Herman's Hermits' hits, and I knew that the backing band for Noone in Newnan consisted of none of the other original Hermits (some of whom still perform as such in Europe). So this was really Peter Noone and "a band that they call Herman's Hermits for promotional reasons." But that doesn't really matter as much as it might for some other long-running acts because almost all of the original Hermits' songs were themselves covers of previous recordings. (Not so uncommon for many acts of the era. Even the Beatles started with covers.) You go to a Peter Noone show to hear Peter sing songs that you associate with Peter Noone, and that's exactly what we got.

For future reference, this was the set list. The asterisks identify songs first recorded by Herman's Hermits.

• I'm Into Something Good
• What a Wonderful World
• Love Potion No. 9
• Ring of Fire (impersonating Johnny Cash)
• Dandy
• A Must to Avoid*
• Leaning on the Lamp Post
• Daydream Believer
• Sea Cruise
• Listen People*
• Barbara Ann (chorus only, as "New, New-nan")
• Bennie and the Jets (chorus only, impersonating Elton John)
• Start Me Up (intro only, impersonating Mick Jagger)
• Just a Little Bit Better
• Silhouettes
• The End of the World
• Jezebel
• Can't You Hear My Heartbeat*
• Mrs. Brown You've Got a Lovely Daughter (false start first line as Rudolph the Red-Nosed Reindeer)
• I'm Henry the VIII, I Am
• There's a Kind of Hush

As I said, I did a little research. You'll notice that the final song is There's a Kind of Hush (which was performed tonight with a synthesized horn section). As it happens, that's the same song that Noone sang to close their act exactly 55 years ago, September 11, 1970, (with real horns) when Herman's Hermits played for Queen Elizabeth the Queen Mother. If it was good enough for the Queen Mum, it's good enough for my Mom.

Full disclosure: One Herman's Hermits song I was not familiar with was A Must to Avoid, and my malfunctioning ears thought I heard Peter singing "A Muscular Boy." Which probably means the crowd wasn't that much older than me.

The Ed Sullivan Show, June 6, 1965

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My mouse has started to report random double clicks, and my keyboard has begun occasionally ignoring me when I press the letter "e". Traitors!

So while I work on finding replacement parts, I'll keep today's post short and just give you something I was saving for a later post: the gift of pornography. Ear pornography.

Centerfold

Na-na na-na-na-na, na-na-na na-na-na-na.

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While following a link to the recently announced song that will be the theme for Peacemaker Season 2 ("Oh Lord" by Foxy Shazam), I noticed that YouTube has helpfully created a Mix, which they describe as "a nonstop playlist tailored to you." I always say I'm not really a music guy, so it's very kind of YouTube to decide for me what music I like.

This is the first 50 songs (eliminating duplicate artists) in my current Mix. Let's see how the algorithm did.

1. "One Night in Bangkok," Murray Head (1984)
2. "Original Sin," Taylor Dayne (1994)
3. "Maps," Yeah Yeah Yeahs (2003)
4. "Chaise Lounge," Wet Leg (2022)
5. "Owner of a Lonely Heart," Yes (1983)
6. "Mr. Blue Sky," Electric Light Orchestra (1977)
7. "It's the End of the World as We Know It (and I Feel Fine)," R.E.M. (1987)
8. "Breakfast at Tiffany's," Deep Blue Something (1994)
9. "Only Happy When It Rains," Garbage (1996)
10. "Teenage Dirtbag," Wheatus (2000)
11. "All the Things She Said," t.A.T.u. (2002)
12. "That’s Not My Name," The Ting Tings (2008)
13. "Got My Mind Set On You," George Harrison (1987)
14. "Video Killed the Radio Star," The Buggles (1980)
15. "Dancing Queen," ABBA (1976)
16. "You're the Best Around," Joe Espisito (1984)
17. "Do Ya Wanna Taste It," Wig Wam (2005)
18. "Loser," Beck (1994)
19. "Buddy Holly," Weezer (1994)
20. "Here It Goes Again," OK Go (2005)
21. "I Love It," Icona Pop (2013)
22. "You should be sad," Halsey (2020)
23. "I Ran (So Far Away)," Flock of Seagulls (1982)
24. "Head Over Heals," Tears for Fears (1985)
25. "Burning Down the House," Talking Heads (1983)
26. "You Can Call Me Al," Paul Simon (1986)
27. "Message in a Bottle," The Police (1979)
28. "Love Will Tear Us Apart," Joy Division (1980)
29. "Steppin' Out," Joe Jackson (1982)
30. "Mr. Roboto," Styx (1983)
31. "Daydream Believer," The Monkees (1967)
32. "End of the Line," The Traveling Wilburys (1988)
33. "Miami Dolphins Number One," Lee Ofman (1972)
34. "Paint It, Black," The Rolling Stones (1966)
35. "The Passenger," Iggy Pop (1977)
36. "Coming Up," Paul McCartney (1980)
37. "Steal My Sunshine," Len (1999)
38. "Groove Is In The Heart," Deee-Light (1990)
39. "Don't You Want Me," The Human League (1981)
40. "Blue Monday," New Order (1983)
41. "Take On Me," a-ha (1985)
42. "Come On Eileen," Dexys Midnight Runners (1982)
43. "In a Big Country," Big Country (1983)
44. "Cars," Gary Numan (1979)
45. "C'mon, Let's Do It," Gerhard Heinz (1977)
46. "Turn It On Again," Genesis (2004)
47. "Life In a Northern Town," Dream Academy (1985)
48. "Flash's Theme," Queen (1980)
49. "Roam," B-52s (1985)
50. "Breakout," Swing Out Sister (1986)

Wow. If I was picking songs for myself, that's not the list I would have made. I mean, if I only get one Genesis song, I'd prefer it was "Land of Confusion" with its overt Superman reference and kick-ass electronic drums. But I cannot deny that yes, that is all Walter Music. I have a real emotional connection to some of those.

I see where your head is, YouTube programmers: audio honeypots! Nostalgia captures eyeballs, even mine.

The one song on that list that stands out to me is "Love Will Tear Us Apart," which is fine; it's just not a song I ever seek out. (I don't recall ever even Googling it. Is it there because of "Blue Monday," the Joy Division/New Order connection?) I also find it interesting that despite including Roy Orbison, Bob Dylan, Paul Simon, and two Beatles, only three of the above performances are older than I am. Fun fact: As I type this in 2025, there are more surviving Stones (3) than Monkees (1).

In case you're curious, as I was: the average year is 1989, the median 1985, the mode 1983 (5). That sounds about right, as '83 was the year of Thriller. I still remember where I was when I watched the debut of the video on MTV (on a cabinet-sized, wood-paneled television with knobs!). We watched a lot of MTV in '83. We also watched a lot of Night Tracks on the TBS Superstation in the wee hours of Friday nights. That's what we had to do before YouTube, kids: stay up real late in the hopes that they would play our favorite songs.

And yes, I just listened to every song on that list again. Don't stop to ask. And now you've found a break to make at last. You've got to find a way. Say what you want to say. Breakout.

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Dad, reading my t-shirt: "I don't get it."

I tried to explain.

Dad, confused: "They made a whole band of dogs?"

Honestly, I'm still not sure if he was just fucking with me.

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