Showing 1 - 10 of 36 posts found matching keyword: youtube
It could be worse. It could be a commercial for ass cream.
I have not been able to get this song out of my head for the past week. Maybe embedding it here will help.
This is why no one smokes anymore. Superman killed Nick O'Teen.
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The Traveling Wilburys.
Those of you who know why know why.
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Normally, I treat this blog like it was my own syndicated column in the vein of Lewis Grizzard or Dave Barry (not that I claim to be a fraction as entertaining as they were). My satirical, ranting essays are my attempt to squeeze some cheer from the completely unsatisfying experience of human existence.
I don't always feel that it's worth the effort. Some days, I realize that anything I could say has already been said, especially in the modern Internet era where the last thing the world needs is another self-centered yahoo cluttering the aether with his own narcissistic rambling. Who cares what I have to say?
Thankfully, Monthy Python is usually up to the task of setting me straight.
Right! There's no point to any of this, so I might as well get whatever chuckles I can out of it.
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Watch this. You'll understand.
Looking good, dog.
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Cinnamon Frosted Flakes are a real thing now. I haven't had them yet, and after watching this commercial, I can tell you I never will. We'll be right back after this message.
Did you hear that guy at the end of the commercial say that Cinnamon Frosted Flakes "tastes like victory"? Does Kellogg's know where that line comes from? Have they never seen Robert Duvall as the satiric Lt. Col. Kilgore in Apocalypse Now?
Once upon a time, art and literature employed allusions to previous works audiences would be familiar with in order to reinforce concepts. In modern America, corporations still use allusions, but they no longer expect the audience to understand them rationally. They only want to trigger an emotional connection. "Oh, yeah. I remember Apocalypse Now. I liked it. I bet I'd like Cinnamon Frosted Flakes."
Kellogg's doesn't care if the actual reference is to napalm, a weapon used to burn people to death. Nor does Dodge care if their products are pitched by Star Wars' oppressive evil Empire. Six Flags gladly names roller coasters after DC Comics serial killers.
So good luck with your new product, Kellogg's, but I still pay attention to who is trying to sell me something. Kilgore can keep his cinnamon. I'll stick with my Sugar Frosted Flakes, the cereal that Superman says is the best.
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Yes, I still watch Saturday Night Live every week.
But I'd really rather be watching La La Land again.
Last week, Dungeons & Dragons was inducted into the National Toy Hall of Fame. Obviously, I think this is a great thing.
But more important than any novels I've written about a role-playing adventure I created, this special occasion gives me the opportunity to remind you of Tom Hanks' greatest performance.
This movie is Mazes and Monsters, the 1982 classic based on the right-wing paranoia that Dungeons & Dragons was destroying childrens' minds.
Drink it in. That man has won two Academy Awards.
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This is the final batch of movies watched in October.
91. (1029.) Jezebel (1938)
Geez, 1930s Hollywood was obsessed with the Antebellum South. This story is more than superficially similar to 1939's Gone with the Wind and, quite frankly, better. I still don't know if I'd say I liked it, but given that I can't stand Gone with the Wind, I think I'll consider this a win.
92. (1030.) The Gumball Rally (1976)
Geez, 1970s Hollywood was obsessed with illegal automobile races. This is essentially the same movie as Cannonball Run. I can't say it's better, but it's still plenty entertaining. I liked it, especially Raul Julia's performance.
93. (1031.) The Rock-afire Explosion (2008)
If you're about my age, you probably remember ShowBiz Pizza. It was the original Chuck E. Cheese competitor that featured an animatronic animal band, the (unintentionally creepy) Rock-afire Explosion. This movie is a documentary about the robotic band's creator and die-hard fans. The film wants to be hopeful, but underneath the candy coating of sweet optimism lies a rotten core of bitter tragedy. I recommend this cautionary tale of nostalgia run amok to anyone who remembers peeking under the curtain to see Billy Bob looking back.
94. (1032.) The Frisco Kid (1979)
Harrison Ford and Gene Wilder play an odd couple in the American West. It's kind of like Shanghai Noon, except neither character is all that competent. For whatever other flaws it has (pacing is a bit of a problem as it starts slow), it's worth watching to see Han Solo in the Wild West.
More to come.
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