24/2594. The Boys from Brazil (1978)
This conspiracy thriller is a spy film typical of its era, only with strictly television quality cinematography. However, the brutally violent ending with Doberman Pinschers (a breed with German origins, cleverly reinforcing the conspiracy) is definitely not. I didn't love it, but I was entertained.

25/2595. Palm Springs Weekend (1963)
Perhaps this is best described as Where the Boys Are in the desert... for Easter. With Jerry Van Dyke doing his best Dick Van Dyke impression. Watched with Mom, who spent most of the film complaining about what a fool she was to have once liked Where the Boys Are.

26/2596. Sugar & Vice: A Hannah Swensen Mystery (2026)
Diminishing returns continue diminishing this once delightful series. I know that these productions are limited by formula and actor availability, but I really should start avoiding the ones without Norman the dentist, Hannah's co-detective and former love interest.

28/2598. Dark Victory (1939)
Bette Davis plays a bitch with an incurable brain tumor, but it's a romance? And it was nominated for Best Picture? Yeah, that tracks. Hard pass.

29/2599. Dancing Sweeties (1930)
The title tells you everything you need to know: a couple of strangers get married for a dance contest only to learn that marriage is hard. It never tries to be deep, just a bit of melodramatic escapism for a generation that doesn't yet know what a television set is. And that's okay.

Coke is good for sore feet!

More to come.

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19/2589. Vice Squad (1953)
Another day-in-the-life police procedural with hints of Dirty Harry. Edward G. Robinson plays a police captain willing to play a little dirty if it gets a cop killer off the streets. I liked it very much.

20/2590. The Enchanted Cottage (1945)
You know those movies where the girl who is supposed to be "ugly" just has a bad hair cut? Literally this. To be fair, it's supposed to be a fantasy for romantics, which I am not. But c'mon, try a little harder, Hollywood.

21/2591. Please Don't Destroy: The Treasure of Foggy Mountain (2023)
This does not get great critical reviews, and I get it. Plenty of people claim to love The Enchanted Cottage, and comedy is extra subjective. But this is funny. It's not after an Oscar. The silliness is the point. And I enjoyed it.

22/2592. The More the Merrier (1943)
I'm usually lukewarm on screwball comedies and romantic farces, and I'm especially tepid on Joel McCrea, but Jean Arthur and Charles Coburn are once again as delightful as they were in The Devil and Miss Jones. It's a winner.

23/2593. Are You There God? It's Me, Margaret. (2023)
I repeat once again that I am a sucker for coming-of-age stories, especially ones that feel so relatable to my own era, when I read this book. I'd've liked it even without Rachel McAdams. (But I also did like Rachel McAdams.)

More to come.

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Yeah, I read the reviews, which is a significant part of why I waited so long to see it. Now that I have, let's talk about

27/2597. Babylon (2022)

I adore writer/director Damien Chazelle's La La Land. I like old movies. In fact, I probably prefer them. I'm familiar enough with their work to recognize the pastiches of Clara Bow and John Gilbert and Ana May Wong. I've read Hollywood Babylon and Toms, Coons, Mulattoes, Mammies, and Bucks. This movie is aimed squarely at people like me. And I didn't care for it.

The narrative, scattered as it is, is at its core the same story as The Artist or, even more explicitly, Singing in the Rain. But it actually has more in common with Citizen Kane, by which I mean Chazelle has reworked the legends of sordid Hollywood stories into a stylish (and mean-spirited) fictional history morality play. And like the epics of yesteryear, it's also too long, containing too many shots that seem to be in there just because someone didn't want to admit to wasting the money they spent filming them. Here you really feel the length because of how uncomfortable it is to spend time with any of the scenarios or characters. Brad Pitt and Margot Robbie are the stars, but the minority characters are more engaging, if only because the racist system pushes them out before it can grind them down.

To be clear, Babylon is impressively well made (even if by its nature it can't help but feel derivative), but its core problem is that it was made for an audience of one. It feels as if Chazelle is exploring for himself whether the Hollywood Magic is a Faustian bargain, and his ultimate answer, appropriate for someone the film medium has already made a star, is an unsatisfying "yes and no." If anything, the real lesson here is that just as you can't make a war film without glorifying war, you can't criticize Old Hollywood by repeating all its worst excesses.

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13/2583. Kitty Foyle (1940)
Ginger Rogers is Kitty Foyle, a muddle-headed girl who falls for the wrong man and continues doubling-down on her bad decision. Ginger is very good even if her character is irritating. (The Wrong Man is played by Dennis Morgan, who I never much care for, so you'll excuse me if I was against him from the beginning.)

14/2584. The Big Combo (1955)
A film noir police procedural is right up my alley. This doesn't disappoint, especially with Lee Van Cleef playing a rat-like heavy in a homosexual-coded relationship with a fellow mobster. Good stuff.

15/2585. The Harder They Fall (2021)
I'm not sure why they unnecessarily borrowed the names of a bunch of real-life Black Wild West characters for what otherwise feels like a Van Peebles Blacksploitation Western. But whatever. It's still a lot of fun (at least until some third act shenanigans aiming for misguided pathos).

16/2586. Greased Lightning (1977)
First off, let me say that there's a briefish Coca-Cola drinking scene in the middle of this very loosely adapted biopic staring Richard Pryor and Beau Bridges, but I did not get a screenshot at the time. I'll try to correct that next time I see it's coming on TCM, which seems to run it about once a year. It sticks pretty hard to the traditional sports movie cliches, so if you like that sort of thing, you'll probably like this.

17/2587. A Letter to Three Wives (1949)
Maybe because Kirk Douglas is in this stylish tale of love and betrayal, it kept reminding me of The Bad and the Beautiful. I liked it, especially Linda Darnell (who was the love interest in Zero Hour!; if you know, you know).

More to come.

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7/2577. More Than a Secretary (1936)
I keep confusing this movie with Skyscraper Souls, which was the last movie I watched in 2025, probably because both are about a professional woman who falls for a cad. In this one, Jean Arthur gets her man, but he's really not worth it, Jean.

8/2578. Cinema Paradiso (1988)
A very well told story about the early life of a man who falls in love with cinema itself. I read there's a director's cut that adds a bunch of story about the man's later life, but that could only possibly make this worse. Sometimes less really is more.

9/2579. Only Angels Have Wings (1939)
Jean Arthur again (TCM's Star of the Month), here with Cary Grant in an adventure tale about the early days of flight. Very entertaining.

10/2580. The Love Light (1921)
Less entertaining. It's kind of a silent version of The English Patient if that movie had been duller and taken place in the shadow of a light house. The last reel, with its a kidnapping and shipwreck, may have been necessary for a "happy" ending, but as much as I dislike The English Patient, it certainly knows that some endings shouldn't be happy.

12/2582. The Devil and Miss Jones (1941)
Not the one from the Golden Age of Porn. That's The Devil in Miss Jones. This one is a thoroughly delightful romantic comedy (starring Jean Arthur again) that is definitely worth watching. But be very careful when you're googling it at work.

More to come.

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Let's go ahead and put these three together:

6/2576. Francis (1950)
11/2581. Francis Goes to the Races (1951)
18/2588. Francis Goes to West Point (1952)

Once upon a time, one of my grandmothers expressed surprise that I'd never seen the Francis the Talking Mule movies. (Honestly, I don't remember which grandmother, and they're both long gone now so I can't ask. If I had to guess, it was probably Granny; she was a lifelong devoted fan of the "picture shows," even if she thought they got too coarse from the 1970s onward. In hindsight, I think she had a point.)

Thanks to TCM, I finally made the effort to watch the first three. (There are seven in all, but Donald O'Connor and Chill Wills are only in the first six.) I'm happy to report that these three are indeed quite enjoyable. I particularly enjoyed the talking mule providing secret assistance to the West Point football coach. The highest complement I can pay is that they make me want to read the book that inspired them.

More to come.

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Reset the numbers! Grab a Coke! Here are quick reviews of the movies watched by me for the first time in 2026, part one of many:

1/2571. The Pirate (1948)
You just know from the moment that Gene Kelly's arrogant actor is introduced that this film is going to struggle landing its complicated love triangle, but it does all right for itself, specifically because the Nicholas Brothers show up at the climax to do a great dance routine and make you forget about the silly melodrama. Those guys could dance.

2/2572. Spinal Tap II: The End Continues (2025)
Inferior in most ways to the original, but everyone involved seems to know it'd be foolish to try to top a classic and instead trusts the audience to be satisfied enough with hanging out once again with old friends. I was. (Bonus points for surprise performance by a Beatle!) Thanks for all the laughs, Rob Reiner.

3/2573. The Bad Guys (2022)
Perhaps I've played too many role-playing games and watched too many heist movies, but I don't think a movie could be any more predictable in structure. To its credit, the target audience is children, and invention isn't really the point here so much as fun visual style and the chummy camaraderie of the voice actors.

4/2574. Too Many Husbands (1940)
What a mess! This farce was later remade as My Favorite Wife which handles the material somewhat better by swapping the genders, prolonging the secret, and adding children. In fact, go watch that one. It's just better all around.

5/2575. The In-Laws (1979)
Generally speaking, I do not find Alan Arkin's trademark "comedically" exasperated film persona funny, and that held true for most of this movie as well. But the scenes in the diner and on the airfield really landed with me.

Parallel to the road? Hmm. What an odd place for a billboard.

More to come.

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Here at Wriphe.com, I don't actually keep track of every movie I watch, just new-to-me movies. I also frequently rewatch old-to-me movies, and sometimes I spot the Pause that Refreshes. These are some of those I spotted in the past year (in chronological order of release):

Bye Bye Birdie (1963)

A Hard Day's Night (1964)

The Sting (1973)

Ghostbusters (1984)

Pee Wee's Big Adventure (1985)

Waiting for Guffman (1996)

Zoolander (2001)

Scott Pilgrim vs. The World (2010)

Yes, I know that's not a great screenshot of the original black Coke Zero can, especially considering that the product gets a better showcase when Scott intentionally overturns the Coke Zero that Gideon Graves offers him at the Chaos Theater. However, that black can really didn't photograph well in the dim light of the club. So this is what you get. But by all means, go watch Scott Pilgrim vs. The World to see if you think I made the right choice. I love that film, and so should you.

As always, a complete archive of my Coca-Cola movie screenshots can be found here.

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132/2564. Thunderbolts* (2025)
SPOILER WARNING: The villain in this movie is... depression. And it might be the best Marvel Universe movie I've seen in eight years. Make of that what you will.

133/2565. It Started in Naples (1960)
Given how much older one-note grumpy Clark Gable is than his love interest in this "romantic" comedy (Sophia Loren), I feel like it should have stayed in Naples.

134/2566. Z Channel: A Magnificent Obsession (2004)
This documentary is about a pay-cable pioneer in California, but boy, howdy, would I have enjoyed watching what they broadcast: classic and esoteric films.

135/2567. Fitzwilly (1967)
I have mixed feelings about this. It's a little bit like a less believable Candleshoe (my favorite Jodie Foster film), but I did enjoy Barbara Eden and the sharp writing, even if I felt Dick Van Dyke was not quite right for his part as the con-artist butler. (David Niven would have been great!)

136/2568. The World of Henry Orient (1964)
This delightful outsider coming-of-age film presses all of my personal buttons. (Hello, Paula Prentiss!) A traditional, romantic lead actor willing to lampoon his public persona would have been better in the title role (Peter Sellers is, as usual, playing too broad), but I guess they wanted a big name. (David Niven would have been great!)

138/2570. Skyscraper Souls (1932)
A melodrama of several sets of relationships set entirely inside one very, very large building. It's nothing to write home about. (William Warren is the building's amoral manager, and it's just too bad that David Niven was still in the British Army in 1932. He would have been great!)

That's it for movies I watched in 2025. Next time: 2026, now in progress!

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127/2559. Honey Don't! (2025)
Reminiscent of the earliest Coen brothers noirs like Blood Simple with the subversive comedy of Fargo, this movie has no particular message but a wryly amusing story of messed up people trying to make their way through a terribly fucked up world. I liked it.

128/2560. The Last Station (2009)
What a cast! The film aims to present the final days of Leo Tolstoy, which is probably best described as a story of messed up people trying to make their way through a terribly fucked up world.

129/2561. The Dark Angel (1935)
A British melodrama (based on a play) probably best described as a story of messed up people in love. At least in this case, it was the horrors of The Great War that messed them up. I thought the two male leads looked and behaved too similarly and got really confused in the third act if only because I'd already seen Love Affair and Sleepless in Seattle so it was too easy to anticipate the finale.

130/2562. Hey There, It's Yogi Bear (1964)
This was the first feature length Hanna-Barbera animated movie, and it was distributed to theaters by Columbia Pictures. I didn't know there were any, and I was surprised to find it's actually quite entertaining, especially the jaunty musical numbers, especially "St. Louis."

131/2563. The Man Called Flintstone (1966)
The Flinstones meets Get Smart in a movie that is slightly worse than either of those shows, mainly a fault of the need to maintain a single silly and dull plot for over an hour. Audiences must have agreed, because this was the last (of two) feature length Hanna-Barbera animated movie released by Columbia Pictures.

More to come.

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