105/2537. Downton Abbey: The Grand Finale (2025)
I don't like the only movie theater in my town, so Mom and I drove up to Peachtree City to catch the third Downton Abbey movie. Again, the stakes are delightfully small (Is Mary to be a social pariah... again? Will they have to consider selling the Abbey... again?) I liked this more than the second, especially because it took such great pains to tie up every possible loose end. Sure, it was a bit weird to spend so much time in London without visiting Lady Rosamund, but it is a big cast and some sacrifices had to be made, I suppose. (Look at me mentioning relatively minor characters when my introduction to the whole ensemble was the short primer that ran in theaters before the first movie. As usual: late converts are the most zealous.)

106/2538. The Wonderful Story of Henry Sugar and Three More (2024)
This Netflix-exclusive Wes Anderson quadrilogy was the whole reason I wanted access to Netflix in the first place. Essentially monologue recitations of Roald Dahl's writing (like an incredibly elaborate staging of Peter and the Wolf), it is neither Anderson's best nor most engrossing work, though I admit that I'm not a particular fan of Dahl. However, Anderson fan that I am, I considered it an elaborate tech demo of what he might try in a bigger, better production.

107/2539. Wet Hot American Summer (2001)
It takes about thirty minutes for this spoof of 70s/80s camp movies (a la Meatballs) to reveal its truly lunatic, absurdist heart, but once it does, it becomes immediately obvious why it has reached such cult success. (And what a cast!)

108/2540. Eurovision Song Contest: The Story of Fire Saga (2020)
"Play Jaja Ding Dong!" The ABBA is strong with this one. What was most striking to me while watching was how almost every character, even Will Ferrell's selfish protagonist, meant well from their own point of view. Even the secret murderous antagonist. Even the romantic cad played by Downton Abbey's Dan Stevens! Great music and endearing performances from people who clearly have a soft spot for the real Eurovision made for a great time.

109/2541. Pee-Wee's Big Holiday (2016)
The last Pee-Wee movie was clearly made with a smaller budget and a lot of CGI, but Paul Reubens still makes it work by evoking the good natured manchild Pee-Wee Herman of years past. (Have I ever mentioned that Pee-Wee's Big Adventure was the first DVD I ever bought? I have? Well, I'm mentioning it again. It's that good.) What a great character he was.

More to come.

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Recent circumstances conspired to take away my TCM but grant me a month of Netflix access. So, at the recommendation of Friend Ken, I started at the top:

104/2536. KPop Demon Hunters (2025)
If you wondered why Google reported that 6 of the top 10 Halloween costumes for 2025 were characters from this movie, the answer is simple: it's good. Very good. So good, in fact, I cannot believe that Sony and Netflix didn't negotiate a more traditional box office release. The creators learned all the right lessons from George Lucas's usual box of tricks, taking inspiration from a bunch of long pre-existing concepts and designs, blending them into a story of good versus evil in a lived-in world, and pouring the results into a time-tested, character-first dramatic format that is comfortable and rewarding to viewers. For extra Star Wars vibes: like Fox in '77, Netflix seemed totally unprepared for the flood of demands for kids' merchandise. History may not repeat itself, but it sure as hell stutters.

As amazing as John Williams is, what Star Wars does not have is pop songs. It's no accident that the Kpop soundtrack has had a very catchy (and plot advancing) song from the fictional Huntr/x at the top of the Billboard global charts for 15 weeks and counting. A song, I'll point out, that has a one-word title:

Golden

Kudos to all involved; I hope you like printing money. (Count me in for a Derpy Tiger Funko Pop! figure, if ya'll can ever actually get them to market.)

More to come.

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Super Heroes

Sure, technically the song title on the musical and movie soundtrack are two words, but Rocky Horror is British. Here in America, home of Superman and Spider-Man, we spell it as one word (sometimes, at Spider-Man's insistence, with a hyphen). So I'm counting the song as a one-word wonder.

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97/2529. Love and Monsters (2020)
This post-apocalyptic adventure film, in many ways gentle enough to be a kids movie, set my anxiety level to "full," mostly because the sidekick on the traditional hero's journey is a dog who clearly lost her mistress when the world ended. Note to producers: "uplifting" adventure movies shouldn't start this sad.

98/2530. My Darling Clementine (1946)
John Ford's classic interpretation of Wyatt Earp and the OK Corral has a couple of love stories grafted onto the protagonists, and neither feels particularly organic, especially while Utah's Monument Valley is filling in for Tombstone, Arizona, two locations that look nothing alike. The story of the most famous shootout in history has been told much better in films since.

99/2531. So Long at the Fair (1950)
Less a mystery story than a gothic horror, this overly-long Twilight Zone episode succeeds at atmosphere, but golly, the sudden stop at the end is painful.

100/2532. The Lost World (1925)
Sir Arthur Conan Doyle himself introduces this silent precursor to the genre of stop-motion monster adventure films that will eventually give us King Kong and Ray Harryhausen. Like all adaptations of the source material I've seen, it's dull in the middle.

101/2533. Winter Kills (1979)
It's not immediately clear that this conspiracy theory thriller is intended as a satire of its genre until after the first reel, and I still can't decide if that's madness or genius. In either case, a better director and cinematographer (and much bigger budget) could have made a cinema classic here instead of just a bonkers B-movie.

102/2534. The Harvey Girls (1946)
TCM loves to play this movie, and now I get why. It's bubbly, and Judy Garland is great. I'm glad I watched it.

103/2535. Forty Naughty Girls (1937)
The last Hildegard Withers mystery movie from RKO, and for very good reason. Edna May Oliver is sorely missed in the title role, as ZaSu Pitts' Withers is dull and clumsy, completely unworthy of the audience's sympathy. Blech.

More to come.

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"Anomaly Detected" reports Google Analytics. It seems Google expected 9 visitors to Wriphe.com on Friday, and I got 38. Can I account for that difference? No. Maybe a whole bunch of people tuned in to read my take on What's New Pussycat? Come to think of it, maybe some 21st-century surveillance AI flagged me for putting the terms "student bodies," "having wonderful crime," and "murderers among us" in the same blog post. If so, whoops, I did it again.

I don't look at the site analytics often, and I would have thought that 38 was a huge aberration. (According to my phone, I literally only ever communicate with about a dozen people, and that includes my dogs' vet and "friend" Keith who said he was going to buy us tickets for today's Dolphins vs Falcons game in Atlanta then didn't and threw a party without inviting me instead. Not that I'm bitter. At least now I don't have to spend time and money on the Dolphins. So thanks, Keith! What a pal!) But looking at the year-to-date snapshots, 38 appears not quite so deviant. It looks very much like I commonly have over 20 visitors a day in 2025. I'm sure I have no idea who most of you are or why you would be interested in any of my pretentious whining about football or my so-called "friends," but you're welcome here

In fact, I had 345 visitors on August 17. I would assume that was the leading edge of a Denial of Service attack, although the day before I did post about my family's Scrabble history, so maybe that showed up in some Google News feeds, and I caught some stray boardgame fan lookie loos by accident. To those people I offer my sincerest apology (13 points).

Huh. Now that I really walk though the dashboard, I find I am getting a surprising amount of traffic (14% of all site hits) from China. To the best of my knowledge, I don't know anyone in China, so that does seem a bit weird. I don't think that I post a bunch about anything Chinese, but a quick search does reveal 32 posts matching the word "China." There are not quite 3000 posts in the history of this site, so that's a healthy 1%. Disproportionate to the number of hits, sure, but also more than I would have expected. In any case, ni hao to my China people!

The real question is whether any of these analytics serve any purpose. I think the answer is no, at least in regards to Wriphe.com. As you probably know if you're reading this, I don't tailor my blog posts to anyone's interests but my own, which is probably why Google thought I should have only 9 visitors. Seems to me that's still 9 more visitors than I deserve. More often than not, I wonder why I bother posting anything at all, and it's rewarding to know that at least 9 of you are paying attention. Or at least clicking through to see if I'm a murderer. Even if you're all just web crawling spiders, thanks for dropping by.

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91/2523. Dulcy (1940)
Your enjoyment of this comedy of errors will be directly proportional to how much you enjoy farcical stage comedies of manners. It's well put together and the actors seem to be having a good time, but the shenanigans felt too artificial for my tastes.

92/2524. Student Bodies (1981)
This loving parody of slasher films is exactly the style of comedy that would make Anna Faris a star two decades later. So I guess the reason it isn't wider known is the limited budget. I got a few chuckles out of it.

93/2525. Having Wonderful Crime (1945)
I couldn't escape the feeling that this film was trying a little too hard to recreate The Thin Man, placing undue emphasis on the detectives instead of the many crimes that seem to pass through their wake. (I'm still not sure the central whodunnit makes any sense.) It's not bad, exactly, so much as it never feels like the chemistry between the leads is quite right. (Miscast? I'd say yes.)

94/2526. Murderers Among Us (1946)
It's a dark story of Berliners in the days immediately after the close of the second World War coming to terms with their recent past, specifically a protagonist who feels compelled to kill his former senior officer he feels has gotten away with war crimes against civilians. Sure, war is hell, but so is its aftermath.

95/2527. What's New Pussycat (1965)
Nope, I couldn't do it. I've tried three times to watch this movie, and I just can't push through it. The acting is too broad; the characters, too unpalatable; the script, too silly. Peter Sellers is always terrible when given too much leeway, and I never care for Woody Allen's nebbish neurotic. Sorry, Paula Prentiss, you deserved to be in a better film. Blech.

More to come.

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"I didn't know that Cheshire cats always grinned; in fact, I didn’t know that cats could grin."

"They all can," said the Duchess; "and most of 'em do."

—excerpted from Alice, Kpop Demon Hunter, 1865

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86/2518. Hi, Nellie! (1934)
This movie has a weird structure. It's mostly a light comedy, with a haughty newspaper editor supposedly being taught a lesson by being busted down to the lonely hearts desk. There's less misogyny on display than you might expect (unusual for the era), and there's also a big story to break. I enjoyed it.

87/2519. Blondes at Work (1938)
Fourth (of nine) Torchy Blane movies. Hard-nosed newspaper reporter Torchy breaks a lot of rules (and laws) in this one as she races her detective fiance to break the story of a dead department store magnate. Enjoyable as all the ones that came before it (in no small part because of Torchy's mischievous irresponsibility in determined pursuit of a headline).

88/2520. The 400 Blows (1959)
This French film is much lauded, and I get it. It's incredibly modern in its sympathetic presentation of a much disturbed adolescent who is treated very poorly by the self-absorbed adults in his life. I wish I'd seen it at 14.

89/2521. Torchy Gets Her Man (1938)
Sixth (of nine) Torchy Blane movies. (I skipped 5 because Torchy isn't played by Glenda Farrell in that one.) Here the dramatic tension comes from the audience knowing more than Torchy or her fiance about the counterfeit ring they're chasing. Plus there's a police dog that only answers to German commands. Who doesn't love dogs?

90/2522. Torchy Blane in Chinatown (1939)
Seventh (of nine) Torchy Blane movies. New York's Chinatown doesn't have as much to do with the story as the title would suggest. Instead, Torchy (and her fiance) are on the hunt for a Chinese gang that implies supernatural force to extort money from a family of art collectors in possession of ancient Chinese family jewels. It's all a bit far-fetched, and the mystery is incredibly easy to crack. Still fun.

And since we've already covered three Torchy Blane movies, let's just skip ahead a bit and get to

96/2528. Torchy Blane Runs for Mayor (1939)
Eighth (of nine) Torchy Blane movies, and the last one to star Glenda Farrell. To tackle a corrupt political racket, Torchy does, indeed, run for mayor of New York on a campaign platform that would probably still work today. Not my favorite, but still worth the watch as Farrell's last Torchy.

More to come.

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Movies! Government shutdown edition:

81/2513. The Edge of Seventeen (2016)
Yet another coming-of-age movie about how hard life is for adolescents, especially ones who were raised by trainwreck single mothers and whose best friend is dating their insufferable brother. I can't say the script sparkles, but the lead acting of Hailee Steinfeld sure does. She's awesome in just everything.

And she drinks Coke!

82/2514. Washington Story (1952)
Not a great title (I just now had to Google it to remember what it was about), but it is a pretty accurate one: a newspaper woman out to make a name for herself as a muckraker falls romantically for an impossibly sincere Congressman. As you watch, you can actually *see* Hollywood trying to make nice with McCarthy's House Un-American Activities Committee.

83/2515. Hearts of Darkness: A Filmmaker's Apocalypse (1991)
I certainly remember this being released, and I was very aware at the time of stories about the difficulties of making Apocalypse Now. So I might have seen this before, back in the day. But now I've seen enough movies and studied enough about all the personalities involved that I can only say... Coppola was insane to even have attempted it, and it's a miracle that film turned out as well as it did.

84/2516. Hot Tub Time Machine 2 (2015)
Other than the fact that it predicted life in 2025 too accurately for comfort, there's really nothing good to say about this sequel, the unfunny story of bad people doing awful things to everyone. (Is the whole thing improvised? Rob Corddry really needs to be kept on a short rope.)

85/2517. Staten Island Summer (2015)
So, Colin Jost wrote a movie that must be loosely based on his life, and it feels like he wants it to be Caddyshack but for community pools. Worth a watch only for the all-star cast, mostly a bunch of Jost's SNL castmates doing ambling comedy bits to fill holes in a weak central narrative.

More to come.

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Maybe I should slow down these movie reviews, as I've really found it hard to find the time/desire to watch a lot of new-to-me films in the past few months. Fortunately, I got way ahead back in July, which was when I watched these, so try to pretend along with me that these are recent watches.

76/2508. The To Do List (2013)
The always surly Aubrey Plaza stars in this raunchy coming-of-age sex comedy from the female point of view. The cast is chock full o' SNL alumni, so I'm a bit surprised I didn't know about it earlier. Everyone is funny (especially Bill Hader), and I fully endorse it.

77/2509. This Side of the Law (1950)
Right off the bat, a lawyer hires a drifter to impersonate a dead man and settle his estate, and of course it's obviously a trap. (I've seen Fletch.) The real question, and the reason to watch, is to see how everybody (anybody?) survives all the double crosses. Not bad.

79/2511. Eurotrip (2004)
When this came out (in the wake of the success of the filmed-on-the-University-of-Georgia-campus Road Trip), someone told me it wasn't very good, so I didn't watch it. Now that I have seen it, I have to say that A) while it's certainly no Road Trip, I wouldn't call it unwatchable (though I also wouldn't blame anyone for not watching it), and B) while many of the sex jokes have not aged well in the decades since release, that's par for the course for sex comedies of any past era. What we put on screen says a lot about contemporary culture, and it would be a mistake to call the mid-2000s a "more civilized age" even considering the state of modern political discourse.

Dammit, man! She's a diabetic!

80/2512. The MacKintosh Man (1973)
Paul Newman (under) plays an undercover agent who has to rout out Communist traitors in Ireland. Underwritten and dull, it is not among legendary director John Huston's best works.

More to come.

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