13/2583. Kitty Foyle (1940)
Ginger Rogers is Kitty Foyle, a muddle-headed girl who falls for the wrong man and continues doubling-down on her bad decision. Ginger is very good even if her character is irritating. (The Wrong Man is played by Dennis Morgan, who I never much care for, so you'll excuse me if I was against him from the beginning.)

14/2584. The Big Combo (1955)
A film noir police procedural is right up my alley. This doesn't disappoint, especially with Lee Van Cleef playing a rat-like heavy in a homosexual-coded relationship with a fellow mobster. Good stuff.

15/2585. The Harder They Fall (2021)
I'm not sure why they unnecessarily borrowed the names of a bunch of real-life Black Wild West characters for what otherwise feels like a Van Peebles Blacksploitation Western. But whatever. It's still a lot of fun (at least until some third act shenanigans aiming for misguided pathos).

16/2586. Greased Lightning (1977)
First off, let me say that there's a briefish Coca-Cola drinking scene in the middle of this very loosely adapted biopic staring Richard Pryor and Beau Bridges, but I did not get a screenshot at the time. I'll try to correct that next time I see it's coming on TCM, which seems to run it about once a year. It sticks pretty hard to the traditional sports movie cliches, so if you like that sort of thing, you'll probably like this.

17/2587. A Letter to Three Wives (1949)
Maybe because Kirk Douglas is in this stylish tale of love and betrayal, it kept reminding me of The Bad and the Beautiful. I liked it, especially Linda Darnell (who was the love interest in Zero Hour!; if you know, you know).

More to come.

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Here at Wriphe.com, I don't actually keep track of every movie I watch, just new-to-me movies. I also frequently rewatch old-to-me movies, and sometimes I spot the Pause that Refreshes. These are some of those I spotted in the past year (in chronological order of release):

Bye Bye Birdie (1963)

A Hard Day's Night (1964)

The Sting (1973)

Ghostbusters (1984)

Pee Wee's Big Adventure (1985)

Waiting for Guffman (1996)

Zoolander (2001)

Scott Pilgrim vs. The World (2010)

Yes, I know that's not a great screenshot of the original black Coke Zero can, especially considering that the product gets a better showcase when Scott intentionally overturns the Coke Zero that Gideon Graves offers him at the Chaos Theater. However, that black can really didn't photograph well in the dim light of the club. So this is what you get. But by all means, go watch Scott Pilgrim vs. The World to see if you think I made the right choice. I love that film, and so should you.

As always, a complete archive of my Coca-Cola movie screenshots can be found here.

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In the 23 years I've had season tickets, today's football game was a truly unique experience. And I don't mean because #5 Ole Miss scored touchdowns on their first five possessions and #9 Georgia only won because they scored on every possession until they knelt on the ball to run out the clock at the end of a 43-35 game. (What happened to defense?!?) No, I mean it was unique because we didn't make it to the stadium to watch it.

We tried. Mom and I left the house on schedule (rare for us) at 11:30 with the intention of making it to Athens two hours before the 3:30 kickoff. After almost 40 minutes of travel, on I-285 just past the exit for I-75, traffic stopped. Despite Google continuing to insist that we'd be out of the traffic jam in just "15 minutes," the next 4 miles took 2 hours. Eventually we learned that the source of the trouble was that somehow a box truck had overturned on a straight road and blocked three of four lanes of traffic not more than a half mile before the next exit, Jonesboro Road.

By the time we were finally past the accident, I calculated that even if everything went perfectly for the rest of the route to Athens, there was no way we could arrive, park, and make out way to our seats in Sanford Stadium until very near the end of the first quarter. So we made the decision to cut our losses and turn the car around and watch the whole game at home on TV instead. Somehow, it took almost 40 minutes to get home.

I was disappointed. Mom was disappointed. We were looking forward to the big game environment, where someone hatched a hairbrained plan to "stripe" the stadium in black, white, and red, requiring me to wear white instead of my typical red to a home game for the first time. That's probably why there was an accident. I didn't wear red and it broke the universe. Sorry, universe. (And if you saw the game on TV, you may have noticed the white end zones, but deciding to put the black stripe on the sunny side of an afternoon game? Are you trying to kill those people? Good on them for refusing the assignment.)

Sure, you can't always get what you want, but if you try, you might get what you need, so we made the best of a bad situation with some soft pretzels, Mexican Coke, and Culver's custard (Mom's idea for cushioning the blow) as we watched the Dawgs scratch out a win from our sofa with poodles and a havanese. That's my kind of unique.

(I took a picture of us in in our "Stripe the Stadium" whites in front of the TV showing Sanford Stadium pregame, but Mom looks better in this one in our back yard, so it's the one you get.)

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Remember the plastic bag in American Beauty?

Too much doomscrolling had put me in bad spirits before the boys and I took the Jeep for a drive out to their daily play date with CeCe when we came across a black vulture trying to cross the lane to reach a roadkill armadillo carcass lying on the double-yellow line. The hungry vulture would get almost close enough to touch its meal before a car would approach, sending the wary scavenger skittering back to the relative safety of the grassy shoulder. Something about watching this Sisyphean task vastly improved my mood. That's pretty much the story of everyone's life.

Sometimes there's so much beauty in the world, I feel like I can't take it.

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65/2497. Black Eye (1974)
This is very much a mid-70s "neo" noir. It's even easy to imagine Gene Hackman or James Garner in the title role if it hadn't been dipped in the trappings of the blaxploitation genre. It's not perfect, but it's not bad, either.

66/2498. The Cleaner (2025)
It's not Daisy Ridley's fault that this is a mediocre Die Hard knock off. She may be the best thing in it. It's just a very shallow action thriller with some very confused James Bondian antagonists. Yawn.

67/2499. Love Me (2024)
Maybe think of this as a dumber Wall-E where all of humanity is dead. I'd probably like it more if I could get over the typical Hollywood bullshit about technology being functionally immortal. But it's also a typically Hollywood bullshit romcom dressed in sci-fi trappings, raising questions it has no interest in actually answering. So that's two strikes. I do, however, enjoy Kristen Stewart, who (largely) succeeds at making her character sympathetic while working with a script that doesn't seem to understand (or care) what "self-awareness" is.

68/2500. Surviving Ohio State (2025)
This documentary is largely just the testimony of several former OSU wrestlers about events that they experienced in the 1980s and 1990s backed up with documentary evidence, and damn, it's a gut punch. I've never cared for the arrogance of "The" Ohio State University sports teams, but how could anyone support an athletic department, an institution, that would do this to its own kids? (If you watch this, know that just this week, a federal judge ordered mediation between the university, which has offered a total payout of $60 million, and the subjects of this film to be conducted by the same man who negotiated Michigan State should pay $500 million for similar circumstances. So expect more news to come in February 2026.)

69/2501. A Minecraft Movie (2025)
The similarities between this and Napoleon Dynamite were obvious even before I looked up the credits and saw that it was made by the same writer/director. I admit that a whole bunch of the specific jokes were lost on me. I've only played a couple of hours of Minecraft, and this is aimed squarely at the game's hardest-core community. Therefore, I found it just an okay movie experience, but I can understand why it was a such a big hit with the target audience.

More to come.

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While following a link to the recently announced song that will be the theme for Peacemaker Season 2 ("Oh Lord" by Foxy Shazam), I noticed that YouTube has helpfully created a Mix, which they describe as "a nonstop playlist tailored to you." I always say I'm not really a music guy, so it's very kind of YouTube to decide for me what music I like.

This is the first 50 songs (eliminating duplicate artists) in my current Mix. Let's see how the algorithm did.

1. "One Night in Bangkok," Murray Head (1984)
2. "Original Sin," Taylor Dayne (1994)
3. "Maps," Yeah Yeah Yeahs (2003)
4. "Chaise Lounge," Wet Leg (2022)
5. "Owner of a Lonely Heart," Yes (1983)
6. "Mr. Blue Sky," Electric Light Orchestra (1977)
7. "It's the End of the World as We Know It (and I Feel Fine)," R.E.M. (1987)
8. "Breakfast at Tiffany's," Deep Blue Something (1994)
9. "Only Happy When It Rains," Garbage (1996)
10. "Teenage Dirtbag," Wheatus (2000)
11. "All the Things She Said," t.A.T.u. (2002)
12. "That’s Not My Name," The Ting Tings (2008)
13. "Got My Mind Set On You," George Harrison (1987)
14. "Video Killed the Radio Star," The Buggles (1980)
15. "Dancing Queen," ABBA (1976)
16. "You're the Best Around," Joe Espisito (1984)
17. "Do Ya Wanna Taste It," Wig Wam (2005)
18. "Loser," Beck (1994)
19. "Buddy Holly," Weezer (1994)
20. "Here It Goes Again," OK Go (2005)
21. "I Love It," Icona Pop (2013)
22. "You should be sad," Halsey (2020)
23. "I Ran (So Far Away)," Flock of Seagulls (1982)
24. "Head Over Heals," Tears for Fears (1985)
25. "Burning Down the House," Talking Heads (1983)
26. "You Can Call Me Al," Paul Simon (1986)
27. "Message in a Bottle," The Police (1979)
28. "Love Will Tear Us Apart," Joy Division (1980)
29. "Steppin' Out," Joe Jackson (1982)
30. "Mr. Roboto," Styx (1983)
31. "Daydream Believer," The Monkees (1967)
32. "End of the Line," The Traveling Wilburys (1988)
33. "Miami Dolphins Number One," Lee Ofman (1972)
34. "Paint It, Black," The Rolling Stones (1966)
35. "The Passenger," Iggy Pop (1977)
36. "Coming Up," Paul McCartney (1980)
37. "Steal My Sunshine," Len (1999)
38. "Groove Is In The Heart," Deee-Light (1990)
39. "Don't You Want Me," The Human League (1981)
40. "Blue Monday," New Order (1983)
41. "Take On Me," a-ha (1985)
42. "Come On Eileen," Dexys Midnight Runners (1982)
43. "In a Big Country," Big Country (1983)
44. "Cars," Gary Numan (1979)
45. "C'mon, Let's Do It," Gerhard Heinz (1977)
46. "Turn It On Again," Genesis (2004)
47. "Life In a Northern Town," Dream Academy (1985)
48. "Flash's Theme," Queen (1980)
49. "Roam," B-52s (1985)
50. "Breakout," Swing Out Sister (1986)

Wow. If I was picking songs for myself, that's not the list I would have made. I mean, if I only get one Genesis song, I'd prefer it was "Land of Confusion" with its overt Superman reference and kick-ass electronic drums. But I cannot deny that yes, that is all Walter Music. I have a real emotional connection to some of those.

I see where your head is, YouTube programmers: audio honeypots! Nostalgia captures eyeballs, even mine.

The one song on that list that stands out to me is "Love Will Tear Us Apart," which is fine; it's just not a song I ever seek out. (I don't recall ever even Googling it. Is it there because of "Blue Monday," the Joy Division/New Order connection?) I also find it interesting that despite including Roy Orbison, Bob Dylan, Paul Simon, and two Beatles, only three of the above performances are older than I am. Fun fact: As I type this in 2025, there are more surviving Stones (3) than Monkees (1).

In case you're curious, as I was: the average year is 1989, the median 1985, the mode 1983 (5). That sounds about right, as '83 was the year of Thriller. I still remember where I was when I watched the debut of the video on MTV (on a cabinet-sized, wood-paneled television with knobs!). We watched a lot of MTV in '83. We also watched a lot of Night Tracks on the TBS Superstation in the wee hours of Friday nights. That's what we had to do before YouTube, kids: stay up real late in the hopes that they would play our favorite songs.

And yes, I just listened to every song on that list again. Don't stop to ask. And now you've found a break to make at last. You've got to find a way. Say what you want to say. Breakout.

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39/2471. Alcatraz Island (1937)
According to IMDB, "This was the first film set in the prison on Alcatraz Island," and it spends a lot of time showing us how high-tech the prison was for its day. Otherwise, it's a pretty standard prison story.

40/2472. Beetlejuice Beetlejuice (2024)
I got the feeling that everyone involved wanted to get together and make a Beetlejuice movie, they just weren't sure what the plot should be. It's quite a narrative mess, which is okay enough for those who relish Tim Burton's trademark take on horror. I admit that I was very much charmed by the unexpected climactic musical sequence built on Donna Summer's "MacArthur Park." (I assume the superior Richard Harris version was too slow to dance to?)

41/2473. Force of Arms (1951)
"Force of Arms" is not a great title for a hybrid "war is hell" romance mash-up. But William Holden is, as always, real good as the Joe struggling through his PTSD.

42/2474. The Case of the Black Cat (1936)
If you spend this entire Perry Mason movie waiting for the black cat to show up, you'll miss out on everything else: there is no black cat. It's actually the housekeeper's cat, and even then, it's mostly just a plot device to get Mr. Mason involved in the eventual court case.

43/2475. The Set-Up (1949)
This is a very, very good boxing movie that covers all the usual bases (love of the sport, gambling rings, corruption, long-term damage, etc.) that also manages to play out in real time. Recommended (assuming you can stand watching grown men hit one another in the face over and over).

44/2476. The Case of the Howling Dog (1934)
Perry Mason fans on the Internet say this is the best Perry Mason movie, and they might be right. I mean, at least this case has a howling dog. [Note: I watched this movie back in 2018 and had totally forgotten it. So that probably tells you how memorable it really is.)

More to come.

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30/2462. Alma's Rainbow (1994)
Another '90s black indie coming-of-age movie that aired on TCM, and also quite enjoyable, assuming you like '90s indies and/or coming-of-age movies, as I do. The pacing felt a little uneven, but that's adolescence, isn't it? I found it charming.

31/2463. Scarecrow (1973)
I've said it before, but it bears repeating after his recent, tragic death: When I was a kid, I didn't like watching Gene Hackman in a movie, but as I've aged, he's become a favorite. And it was in his memory that I watched this, which had been languishing on my DVR largely because I expected bad things from his co-star, Al Pacino (who I disliked as a kid and still dislike). In many ways, it's a dark, dark buddy road "comedy" movie based on Of Mice and Men with extra homosexual rape and mental breakdowns! The version I watched seemed to be edited in such a way as to only suggest the rape, but I read online several reviews that agree that the scene was more explicit in its first-run release. I don't know if that's true or another example of the Mandela Effect.

Coke by the barrel? Yes, please!

32/2464. The World, the Flesh and the Devil (1959)
A post-apocalyptic movie in which the only survivors are hung up on the fact that white and black people shouldn't kiss. Maybe this was as progressive as Red Scare 1959 Hollywood could get, but golly, I spent the movie very irritated that race was even as issue in the empty ruins of New York City. Maybe that was the point, but it's a frustrating viewing experience.

33/2465. The Domino Principle (1977)
More Gene Hackman! This time he's a imprisoned murderer recruited by The Government to carry out a clandestine execution. His wife (who he killed for) is played by Candice Bergman, dressed down in a bad wig to look just awful even by mid-70s style standards, and his best friend, Mickey Rooney, is given a plot twist that makes less than no sense. I didn't hate it, but really, only because of Hackman's skill at portraying a grumpy everyman scrambling to get out of proverbial quicksand.

More to come.

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25/2457. The Search (1948)
Montgomery Clift turns in a great, naturalistic performance here in his first starring role as a young American G.I. trying to help a war orphan in the ruins of Berlin. It's a very good movie. In fact, by focusing attention on the orphans and their broken world (similar to but less humorous than 2019's Jojo Rabbit), it manages the rare feat of being anti-war without glorifying the violence.

It seems unlikely Coke gave this production any money, but If the filmmakers really wanted to hide the product, they could have used a bigger towel.

26/2458. The Hollywood Revue of 1929 (1929)
Most of the entertainment value of this comes from watching motion picture studios entering the talkie era figuring out how to create the musical genre in real time. It fails as a whole, but it does have its moments. (Buster Keaton's crossdressing mermaid dance, sadly, is not one of them.) Jack Benny is the highlight as one of two Masters of Ceremonies.

27/2459. Flow (2024)
Yeah, Oscar got this one right. It's captivating. Definitely watch it with your pets: even Henry enjoyed watching it. (More accurately, I think he enjoyed listening to it. The soundtrack is all recordings of real animals.)

28/2460. Forbidden (1932)
This early Frank Capra is pure dreck melodrama without any of the audience-pleasing uplifting treacle that would become the director's trademark. I've often pooh-poohed Capra, but this could easily be my least favorite Capra film. (No, I did not know it was Capra when it came on, or I might have just turned the TV off.)

29/2461. Naked Acts (1996)
Watched on TCM in February before our Glorious Leader outlawed Black History, this is a mid-90s indie about an aspiring actress (imagined as the child of a Pam Grier type) who has body issues and a lot of baggage as she confronts the expectations of a male-dominated film industry. The budget is low and the talent is clearly raw, but the script is good and the finished product very watchable.

More to come.

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5/2437. Night After Night (1932)
TCM ran two George Raft movies back-to-back, Scarface and this. I preferred this, which is far more famous for introducing Mae West, who steals every scene she's in. You watch the scenes she's not in saying to yourself "bring back Mae!" Make my words, she's going to be a big star.

6/2438. Deadline at Dawn (1946)
"An amnesiac soldier may be responsible for a murder" may sound pretty far-fetched, but it's a pretty common cliche in the whodunnit genre. If you are familiar with the cliches like that, you'll cotton on to the real killer pretty fast. I still enjoyed it well enough.

7/2439. Becoming Hitchcock: The Legacy of Blackmail (2024)
This documentary is essentially a dressed up college lecture about how the movie Blackmail is the movie in which Alfred Hitchcock's famous style of suspense first fully congeals. It makes a pretty good case, so next I watched....

8/2440. Blackmail (1929)
There are two versions of this movie, one silent and one talkie. TCM played them both in one evening, so I watched both. I think the silent is the better of the two, but that could be because the dawn-of-the-medium audio track was so squeaky to my ears.

9/2441. Billy Liar (1963)
Call me crazy, but I'd say this movie belongs in the same bucket as Rebel Without a Cause or Easy Rider or Taxi Driver. It's less violent than all of those, yes, because it's British, but it's still about a lost young man trying (and mostly failing) to find himself in an often hostile alien world. I instinctively disliked Billy, as I did the protagonists in all those other movies, but all those characters also disliked themselves, so maybe that's a bit of the point.

More to come.

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