Following up on yesterday's post about the S-shield on Superman's cape: it has never appeared on any of the Superman balloons in the Macy's Thanksgiving Parade.

I previously posted about the very first Superman parade balloon from 1940 back in November 2008. That original balloon, used for only one year and record holder as the tallest balloon until 1982, had a loose red cape that came down just to the seat of its pants. The second Superman balloon (a particularly ugly one with a round chest) debuted in 1966, and its cape was a little longer but just as solid red. The third Superman balloon, the largest balloon since WWII and the one I painted in 2020, entered the parade in 1980, and despite several mishaps, flew each year until 1987. This last one also had a solid red cape, though it was a horizontal "flying" pose, so the back was never seen from street level.

The parade balloons are expensive to create and fill with helium (though the people who walk them through downtown Manhattan are all unpaid volunteers), so it shouldn't come as a surprise that the balloons that make the annual cut are the ones that Macy's can make money on. That was true even in 1940, when Macy's had a sponsorship deal with National Periodicals to produce exclusive Superman merchandise, as you can see from this advertisement from page 21 of the May 16, 1940, edition of the New York Daily News:

Adjusting for inflation and tariffs, 98¢ in 1940 money is now the equivalent of $200 million USD.

If you look at those illustrations of Superman, the S-shield is clearly visible on his cape. However, the "playsuit" that Macy's sold to kids, not so much. It was just a solid red sheet with a comics-inaccurate blue drawstring. (The pants featured pictures of Superman around the waist, so comics accuracy was clearly not a big concern.)

For the record, the very first Superman to ever appear in a parade was Ray Middleton, who dressed the part as the Metropolis Marvel for "Superman Day" on July 3 at the 1940 New York World's Fair. The event was created to promote the New York World's Fair Comic 1940 Issue featuring Superman (and Batman and Robin!). In the comic, Superman very clearly has a shield on his cape, but Middleton's costume didn't. If the "real" Superman had a solid red cape, the kids at Macy's couldn't be too disappointed.

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Liar!

As I usually find when I already have an inkling of the correct answer, Google's AI response is wrong. (Is it ever right? What's the point of having access to the accrued knowledge of the human race if you never actually read it?)

I've read a lot of Superman comics, and I know that Superman has a yellow S-shield on a cape. However, I'll grant that not a lot of people actually read comic books anymore, Google apparently included. I'll also grant that Superman's cape in the influential 1940s animated Fleisher Studio cartoons was solid red (to make the animation easier and less costly), a trend that has been followed often in animated adaptations for similar reasons. But every live-action adaptation since Kirk Alyn's 15-part 1948 Superman serial has an S-shield on his cape. Maybe Google needs to watch more television.

Google's obviously wrong answer sent me looking through old comics for the real answer to my question of its first appearance, and the earliest I could find the cape shield in my copies of The Superman Chronicles reprints was in the historically significant1 untitled Superman story2 in Action Comics #13, cover dated June 1939, published on April 14, 1939.

Here's a sample panel, easily found in a Google Search™ (once I knew what I was looking for):

Stop hitting yourself!

And, as if I needed any further confirmation, here are the issue's indexer notes from the fantastic (and Google-able) Grand Comics Database (GCD), online at comics.org since 1994:

The "S" symbol first appears on Superman's cape. ... Paul Cassidy is credited with adding the "S" symbol to the cape (but it only appears in some panels and not others), and the pencils and inks here look like his work. Note in particular the odd flying poses of Superman in panels one and five of the final page, which are characteristic of Cassidy. He claimed that [Superman creators Jerry] Siegel and [Joe] Shuster gave both he and Wayne Boring free reign to interpret the scripts as they liked.

Old school library for the win. Why did you make that so hard, Google?

1 Action Comics #13 is most famous for being the first appearance of Superman's first recurring super villain: a bald criminal mastermind who vowed to "use this great intellect for crime" who called himself The Ultra-Humanite. (What, did you think it was Lex Luthor? That second-rate knock-off wouldn't show up for another 12 months.)

2 The original publication has no printed title, which is not uncommon at the time. Modern reprints often refer this story as "Superman vs. the Cab Protective League," named for a protection racket organized by, you guessed it, the Ultra-Humanite. His criminal genius obviously didn't extend to naming things.

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105/2537. Downton Abbey: The Grand Finale (2025)
I don't like the only movie theater in my town, so Mom and I drove up to Peachtree City to catch the third Downton Abbey movie. Again, the stakes are delightfully small (Is Mary to be a social pariah... again? Will they have to consider selling the Abbey... again?) I liked this more than the second, especially because it took such great pains to tie up every possible loose end. Sure, it was a bit weird to spend so much time in London without visiting Lady Rosamund, but it is a big cast and some sacrifices had to be made, I suppose. (Look at me mentioning relatively minor characters when my introduction to the whole ensemble was the short primer that ran in theaters before the first movie. As usual: late converts are the most zealous.)

106/2538. The Wonderful Story of Henry Sugar and Three More (2024)
This Netflix-exclusive Wes Anderson quadrilogy was the whole reason I wanted access to Netflix in the first place. Essentially monologue recitations of Roald Dahl's writing (like an incredibly elaborate staging of Peter and the Wolf), it is neither Anderson's best nor most engrossing work, though I admit that I'm not a particular fan of Dahl. However, Anderson fan that I am, I considered it an elaborate tech demo of what he might try in a bigger, better production.

107/2539. Wet Hot American Summer (2001)
It takes about thirty minutes for this spoof of 70s/80s camp movies (a la Meatballs) to reveal its truly lunatic, absurdist heart, but once it does, it becomes immediately obvious why it has reached such cult success. (And what a cast!)

108/2540. Eurovision Song Contest: The Story of Fire Saga (2020)
"Play Jaja Ding Dong!" The ABBA is strong with this one. What was most striking to me while watching was how almost every character, even Will Ferrell's selfish protagonist, meant well from their own point of view. Even the secret murderous antagonist. Even the romantic cad played by Downton Abbey's Dan Stevens! Great music and endearing performances from people who clearly have a soft spot for the real Eurovision made for a great time.

109/2541. Pee-Wee's Big Holiday (2016)
The last Pee-Wee movie was clearly made with a smaller budget and a lot of CGI, but Paul Reubens still makes it work by evoking the good natured manchild Pee-Wee Herman of years past. (Have I ever mentioned that Pee-Wee's Big Adventure was the first DVD I ever bought? I have? Well, I'm mentioning it again. It's that good.) What a great character he was.

More to come.

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Since I usually post about Georgia home football games, I suppose I should mention that the final tickets in my annual season package were for today's home finale against the 1-9 Charlotte 49ers. I did not go. I gave the tickets to the daughter of a high-school friend who went to Georgia Tech (ha-ha!), which means I watched from the comfort of my couch as freshman running back Bo Walker's two-touchdown debut paved the way to a 35-3 route. Good for Bo. I hope he makes a lot of other people's money playing ball.

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The rest of Audrey's body is off panel because she's as big as the house

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I just read that famous performance artist Yoko Ono, who everyone knows only because of her famous performance art and for no other reason, once published a "book of instructions" (Grapefruit) containing a conceptual think piece ("Number Piece 1") in which she instructed readers to "Count all the words in the book instead of reading them." My knee-jerk response to that knowledge was, "damn, that's stupid." That's the same as telling someone to go a museum and focus on measuring the size of all the frames. And then, as I was feeling very superior in my judgment, it dawned on me that counting the number of words in a book is exactly the sort of thing I might do without being prompted. (122 so far. Now 126. Is this art?)

I do not understood what this says about me, but I do have the sudden urge to go find a band to break up.

154.

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I'm pretty sure that tonight's game matching #10 Texas against #5 Georgia was the last game I'm going to see in Sanford Stadium as a season ticket holder.

No. 10 Texas 10, No. 5 UGA 35

To ensure we made it this time (after the traffic fiasco that prevented us from seeing Mississippi last month), Mom and I left the house four-and-a-half hours early. For many years, we parked at Clarke Central High School, where parking fees helped fund extracurricular activities, but as the University has driven tailgating farther and farther from expensive campus lots, the high school now fills up extra early. So we parked at the dentist office across the street instead. Mom wanted to walk the old route through the student center into the stadium, which ultimately only served as a reminder that the University has built new barriers to block it. Oh well. We had plenty of time, and were still in our seats 90 minutes before kickoff, even after I was misled by some context clues (temporary stadium seats that looked like the old seat backs replaced earlier this year) and mistakenly accused someone else of being in our seats. Poor Mom. She's usually in bed by 9, but we didn't get home again until after 2AM. (Don't worry about Audrey: the dogsitter got her fed and to bed on time.)

As it happens, the guy I wrongly asked to move has been attending UGA games for decades, even after moving from Covington, GA, to Florida, but he said after a few decades, he canceled his season tickets and now instead spends that money and more buying tickets on the secondary market just for the games he wants to attend (in Athens and in other locations for other teams). It's a sound plan, one I've been contemplating a lot recently in this modern era of pay-for-play college football. Once upon a time, the university told me my donations bought books and meals. Now, my money finances base salaries, freeing big-donor money to outbid other colleges for the best kickers in the transfer portal. Somehow, I don't find that as satisfying.

Which is not to say that I don't think the players should be paid. Since they are the product, they should get the lion's share of whatever the football program takes in. But it's also fair for me to judge whether I think I'm getting my value's worth from my season tickets. Given that I only made it to two games this year (UGA closes its home schedule next week against 1-9 Charlotte at 12:45 PM, and I am definitely not going), I think the math is pretty clear.

As it happens, when I wasn't stuck in my own head thinking about the future, I did notice there was also a football game played in Athens. It was okay, but it certainly did not live up to the hype. (Though I'm probably spoiled by the two spectacular wins UGA put on Texas last season.) Georgia was pretty obviously the better team for most of this game, even if their offensive coordinator was calling predictable plays that made Texas's defensive line look amazing for about half the game. But the imprecision of the Longhorn's youthful quarterback (some kid named Arch Manning) ultimately doomed them. You'll read in the tabloids about fourth down conversions and an onside kick that blew the game open late, but Georgia had 14 points by halftime, more than enough to win what would become a 35-10 blowout. Good Dogs.

I hope that some other team will be nice and give Georgia a chance to play in the SEC title game. If that happens, I'll happily watch that game with my dogs beside me on the couch.

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Recent circumstances conspired to take away my TCM but grant me a month of Netflix access. So, at the recommendation of Friend Ken, I started at the top:

104/2536. KPop Demon Hunters (2025)
If you wondered why Google reported that 6 of the top 10 Halloween costumes for 2025 were characters from this movie, the answer is simple: it's good. Very good. So good, in fact, I cannot believe that Sony and Netflix didn't negotiate a more traditional box office release. The creators learned all the right lessons from George Lucas's usual box of tricks, taking inspiration from a bunch of long pre-existing concepts and designs, blending them into a story of good versus evil in a lived-in world, and pouring the results into a time-tested, character-first dramatic format that is comfortable and rewarding to viewers. For extra Star Wars vibes: like Fox in '77, Netflix seemed totally unprepared for the flood of demands for kids' merchandise. History may not repeat itself, but it sure as hell stutters.

As amazing as John Williams is, what Star Wars does not have is pop songs. It's no accident that the Kpop soundtrack has had a very catchy (and plot advancing) song from the fictional Huntr/x at the top of the Billboard global charts for 15 weeks and counting. A song, I'll point out, that has a one-word title:


Golden

Kudos to all involved; I hope you like printing money. (Count me in for a Derpy Tiger Funko Pop! figure, if ya'll can ever actually get them to market.)

More to come.

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Super Heroes

Sure, technically the song title on the musical and movie soundtrack are two words, but Rocky Horror is British. Here in America, home of Superman and Spider-Man, we spell it as one word (sometimes, at Spider-Man's insistence, with a hyphen). So I'm counting the song as a one-word wonder.

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Yes, her father spoils her, but she's actually a very accommodating dog, so long as you turn out all the lights and go to bed on time.

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To be continued...

 

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