58/2224. Flaxy Martin (1949)
The title character is not the protagonist but the femme fatale, the reason the protagonist runs afoul of the law in this compilation of crime noir cliches. I watch enough of these that I must like crime noir cliches.

61/2227. I, Tonya (2017)
It's weird, getting old and seeing movies made of historical events that you remember living through. This very comedic interpretation of the scandalous events of 1994 leans heavily in Tonya Harding's favor, but even when she's on her best behavior, the movie is populated entirely by some of the worst people behaving badly, so it's hard to feel too charitable.

62/2228. 1917 (2019)
Friend James told me this was a great film, and I didn't take him seriously enough. It really is amazingly well crafted and, yes, beautiful in its depictions of the horrors of the Great War. Honestly, it's a masterpiece.

63/2229. Ellie & Abbie (& Ellie's Dead Aunt) (2020)
On the other end of the movie making spectrum is this much, much smaller fantasy coming of age film with a budget so small you'd lose it in the laundry. Sucker that I am for coming-of-age films, I still enjoyed it very much. (It's kind of nice to be reminded that as fraught as teenage hormones and relationships are, they aren't a literal war.)

64/2230. Storm Warning (1950)
Ronald Reagan is a crusading prosecutor driven to rid his town of the Ku Klux Klan! The film hints at an underlying connection between the racist Klan and the manipulative forces of industry, but that's subtle enough not to get in the way of the crime thriller. Pretty darn good.

65/2231. Don Juan (1926)
Credited as being the first movie with synchronized sound, it doesn't really capitalize on the innovation. It's mostly just another swashbuckling adventure film of its era with sword sound effects reliably clanging on cue.

More to come.

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