48/2618. Miss Pacific Fleet (1935)
There's not a lot of substance to this frivolous film comedy, but its leads are Joan Blondell and Glenda Farrell, and that's good enough for me.

49/2619. Whiplash (2014)
There are only two characters of note in Damien Chazelle's star-making study of an abusive relationship. I've thought a lot about it, and I'm still not sure if I enjoyed it. Music's good, though.

50/2620. Honeymoon Hotel (1964)
Following a wedding-day disaster, womanizer Robert Goulet tricks his friend (the jilted groom) into following through on his honeymoon plans to visit a Hawaiian resort strictly for couples so the two men can meet more women. Screwball hijinks ensue. Goulet is good as the cad, but I really watched the whole thing for Jill St. John, who, as usual, is given too little to do.

51/2621. 711 Ocean Drive (1950)
This noir tells the story of the rise of an ambitious telephone technician through a life of crime. The house at 711 Ocean Avenue is one of many locations, from underworld bars to warehouses to penthouses to swimming pools and horse tracks, all of which pale in comparison to the backdrop for the climactic gunfight in the guts of "Boulder Dam." That would have been a better title.

Now that is a well-framed Coke bottle.

53/2623. Lord Love a Duck (1966)
It's a very rare thing in life when I encounter something more cynical than I am. This dark, dark comedy chock full of WTF moments passes that bar easily. It's clearly a takedown of the shallowness of commercially-driven pop culture and the pervasive attitudes of the Swingin' Sixties era, but there's a unique condescending anger at its heart that borders on hatred. I liked it quite a bit. For a taste of its poisoned madness, check out the sweater scene on YouTube.

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

40/2610. The Naked Gun (2025)
Do you remember how they used to say that Airplane! ruined Leslie Neilson's career? Will this do the same for Liam Neeson's post-Taken money train? In any case, it's a worthy successor to the Zucker/Abrams/Zucker originals (superior, even to 33-1/3), but it stuck in my craw that this movie that does not shy away from poking many other influences with a sharp stick never mentions the fact that it's core plot is essentially the same as The Kingsman.

54/2624. Take This Job and Shove It (1981)
It so happens that I watched this about a month before David Allen Coe died, and I'm glad I did so that I had that mental reference when reading his obituary. The film suffers from a weak budget and some rather obvious re-editing, presumably to make a messy script work, but I'm happy to say it's plenty of fun as a silly working-class comedy of its era.

Although Take This Job and Shove It is drenched in beer, there's still time for the Pause that Refreshes! I suspect the Coca-Cola soda fountain in the background of one of the protagonist's many internal struggles between his professional and personal ideologies was already installed in the shooting location as opposed to paid product placement, but much of the plot is made of the cultural value of American brands (which I found somewhat ironic in an age where Budweiser is owned by a Belgian conglomerate), so it's possible that this obvious bit of background imagery could be intended by the director as an intentional, somewhat subtle in the context of the film, reinforcement of the Good Ol' USA.

41/2611. Alice Doesn't Live Here Anymore (1974)
TCM airs this all the time, so I finally made myself watch it. I'm glad I did. It's very good, an atypical Scorsese movie that proves he's capable of so much more than just gangster films.

Speaking of questionable product placement, there's no way that the Coca-Cola Company approved their IP being used in a gory death scene, which reinforces that the dead man being a lazy Coca-Cola delivery driver was probably a choice by Scorsese to dramatize the pitfalls of the commercialization of the American Dream, a key element in spurring Alice's Campbellian hero's journey of self discovery. In other words, the journey of a thousand miles begins with a (bloody) Coke!

42/2612. Operation Crossbow (1965)
A pre-cursor to the formula perfected by The Dirty Dozen, the Brits and Americans work together on a suicide mission to scuttle the German rocket program. Sophia Loren gets top billing for a small and completely pointless part that exists only to attract (and, I'm sure, disappoint) her fans.

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

35/2605. Odd Man Out (1947)
I read that Roman Polanski, Sam Peckinpah, and Gore Vidal considered this to be among their favorite noir movies, but I agree with some of its contemporary critics that after a fantastically engaging start, it loses its way as it staggers (and then crawls) to its unsatisfying (but necessary?) conclusion.

36/2606. Critic's Choice (1963)
Sixties sex comedies are not my bag, baby, and it doesn't help that Bob Hope and Lucille Ball don't really have any sexual chemistry. But it's a mild enough example of the genre to be an inoffensive way to pass an afternoon.

37/2607. Toy Story 4 (2019)
Purposelessness. Abandonment. Loneliness. Death. Toy Story movies go hard and are always worth the effort to watch (though my fingers).

38/2608. Two Weeks with Love (1950)
The A plot of this MGM musical with Jane Powell and Ricardo Montalban is fine, but "little sister" Debbie Reynolds steals every scene she is in, especially singing "Aba Daba Honeymoon."

39/2609. One Battle After Another (2025)
Now that I've seen this, Paul Thomas Anderson's recent Oscar feels more like a career retrospective award. I do not think this is his best work, certainly no better than Licorice Pizza or Inherent Vice. Full disclosure requires I admit that I am no particular fan of Magnolia or Boogie Nights, either, but I agree Anderson is a rare talent and I do not begrudge the industry eventually recognizing it.

For an underground militant revolutionary radio DJ, that's a pretty prominent Coca-Cola can.

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

30/2600. Angels in the Outfield (1951)
What's best about this cliched sports romcom isn't the heavy-handed treatment of religious freedom in America, but the fantasy concept that a young girl is so innocent that she can see angels and everyone else being so jaded that they cannot believe her. Won't someone please think of the children.

31/2601. The Super Mario Bros. Movie (2023)
What this movie lacks in narrative plot, it makes up for in nostalgic references. Of course it was a blockbuster.

32/2602. Project Hail Mary (2026)
Having read the book, Dad really wanted to see this on the big screen, so I took him to the only theater in town even though I really don't like it. Dad loved the movie, but I was lukewarm. I got hung up on the choices made by the directors: too many of the "science" decisions were really just blatant plot manipulation, and Gosling's character is too poorly developed, depriving the character of a more satisfying arc as he discovers humanity through his relationship with a magical alien. (I know Gosling is a good enough actor to play anti-social without being unlikeable. He can do anything.) Most people are (probably rightly) less critical of those sorts of nits, and I don't begrudge them their enjoyment of this.

33/2603. From Headquarters (1933)
A lightweight murder mystery staring George Brent. I really can't say as I remember any more about it than that, so there you go.

34/2604. Chicago (2002)
I had avoided this for years because I had a preconceived notion that none of the characters were likable. And they're not. But the musical numbers are pretty good, and the whole thing doesn't run on too long. Is it really Best Picture worthy? Well, looking back at movies released in 2002, I can only say there were pretty slim pickings that year.

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

24/2594. The Boys from Brazil (1978)
This conspiracy thriller is a spy film typical of its era, only with strictly television quality cinematography. However, the brutally violent ending with Doberman Pinschers (a breed with German origins, cleverly reinforcing the conspiracy) is definitely not. I didn't love it, but I was entertained.

25/2595. Palm Springs Weekend (1963)
Perhaps this is best described as Where the Boys Are in the desert... for Easter. With Jerry Van Dyke doing his best Dick Van Dyke impression. Watched with Mom, who spent most of the film complaining about what a fool she was to have once liked Where the Boys Are.

26/2596. Sugar & Vice: A Hannah Swensen Mystery (2026)
Diminishing returns continue diminishing this once delightful series. I know that these productions are limited by formula and actor availability, but I really should start avoiding the ones without Norman the dentist, Hannah's co-detective and former love interest.

28/2598. Dark Victory (1939)
Bette Davis plays a bitch with an incurable brain tumor, but it's a romance? And it was nominated for Best Picture? Yeah, that tracks. Hard pass.

29/2599. Dancing Sweeties (1930)
The title tells you everything you need to know: a couple of strangers get married for a dance contest only to learn that marriage is hard. It never tries to be deep, just a bit of melodramatic escapism for a generation that doesn't yet know what a television set is. And that's okay.

Coke is good for sore feet!

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

Why is my Google News feed full of stores about how rampant commercialism and inept governments are leading to the impending collapse of Earth's ability to sustain life? Is this inspired by the current moon mission? Earth Day? AI data centers? War in the Middle East? Or just my particular doom scrolling preferences?

I'm a downer. I get it. But how about a nice link to dogs eating ice cream? Or Kpop Demon Hunter memes? Or news about cabinet members being fired for being terrible at their jobs? You know, the sorts of things that give hope that the universe isn't bent towards the worst possible outcomes.

Maybe if I just keep scrolling, I'll get to the good stuff....

Aw, geez. Now it's "I'd like to buy only America a Coke"? Fine, you win, universe.

Comments (0) | Leave a Comment | Permalink | Tags: coke news walter

13/2583. Kitty Foyle (1940)
Ginger Rogers is Kitty Foyle, a muddle-headed girl who falls for the wrong man and continues doubling-down on her bad decision. Ginger is very good even if her character is irritating. (The Wrong Man is played by Dennis Morgan, who I never much care for, so you'll excuse me if I was against him from the beginning.)

14/2584. The Big Combo (1955)
A film noir police procedural is right up my alley. This doesn't disappoint, especially with Lee Van Cleef playing a rat-like heavy in a homosexual-coded relationship with a fellow mobster. Good stuff.

15/2585. The Harder They Fall (2021)
I'm not sure why they unnecessarily borrowed the names of a bunch of real-life Black Wild West characters for what otherwise feels like a Van Peebles Blacksploitation Western. But whatever. It's still a lot of fun (at least until some third act shenanigans aiming for misguided pathos).

16/2586. Greased Lightning (1977)
First off, let me say that there's a briefish Coca-Cola drinking scene in the middle of this very loosely adapted biopic staring Richard Pryor and Beau Bridges, but I did not get a screenshot at the time. I'll try to correct that next time I see it's coming on TCM, which seems to run it about once a year. It sticks pretty hard to the traditional sports movie cliches, so if you like that sort of thing, you'll probably like this.

17/2587. A Letter to Three Wives (1949)
Maybe because Kirk Douglas is in this stylish tale of love and betrayal, it kept reminding me of The Bad and the Beautiful. I liked it, especially Linda Darnell (who was the love interest in Zero Hour!; if you know, you know).

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

Reset the numbers! Grab a Coke! Here are quick reviews of the movies watched by me for the first time in 2026, part one of many:

1/2571. The Pirate (1948)
You just know from the moment that Gene Kelly's arrogant actor is introduced that this film is going to struggle landing its complicated love triangle, but it does all right for itself, specifically because the Nicholas Brothers show up at the climax to do a great dance routine and make you forget about the silly melodrama. Those guys could dance.

2/2572. Spinal Tap II: The End Continues (2025)
Inferior in most ways to the original, but everyone involved seems to know it'd be foolish to try to top a classic and instead trusts the audience to be satisfied enough with hanging out once again with old friends. I was. (Bonus points for surprise performance by a Beatle!) Thanks for all the laughs, Rob Reiner.

3/2573. The Bad Guys (2022)
Perhaps I've played too many role-playing games and watched too many heist movies, but I don't think a movie could be any more predictable in structure. To its credit, the target audience is children, and invention isn't really the point here so much as fun visual style and the chummy camaraderie of the voice actors.

4/2574. Too Many Husbands (1940)
What a mess! This farce was later remade as My Favorite Wife which handles the material somewhat better by swapping the genders, prolonging the secret, and adding children. In fact, go watch that one. It's just better all around.

5/2575. The In-Laws (1979)
Generally speaking, I do not find Alan Arkin's trademark "comedically" exasperated film persona funny, and that held true for most of this movie as well. But the scenes in the diner and on the airfield really landed with me.

Parallel to the road? Hmm. What an odd place for a billboard.

More to come.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

Here at Wriphe.com, I don't actually keep track of every movie I watch, just new-to-me movies. I also frequently rewatch old-to-me movies, and sometimes I spot the Pause that Refreshes. These are some of those I spotted in the past year (in chronological order of release):

Bye Bye Birdie (1963)

A Hard Day's Night (1964)

The Sting (1973)

Ghostbusters (1984)

Pee Wee's Big Adventure (1985)

Waiting for Guffman (1996)

Zoolander (2001)

Scott Pilgrim vs. The World (2010)

Yes, I know that's not a great screenshot of the original black Coke Zero can, especially considering that the product gets a better showcase when Scott intentionally overturns the Coke Zero that Gideon Graves offers him at the Chaos Theater. However, that black can really didn't photograph well in the dim light of the club. So this is what you get. But by all means, go watch Scott Pilgrim vs. The World to see if you think I made the right choice. I love that film, and so should you.

As always, a complete archive of my Coca-Cola movie screenshots can be found here.

Comments (0) | Leave a Comment | Permalink | Tags: coke movies

In the 23 years I've had season tickets, today's football game was a truly unique experience. And I don't mean because #5 Ole Miss scored touchdowns on their first five possessions and #9 Georgia only won because they scored on every possession until they knelt on the ball to run out the clock at the end of a 43-35 game. (What happened to defense?!?) No, I mean it was unique because we didn't make it to the stadium to watch it.

We tried. Mom and I left the house on schedule (rare for us) at 11:30 with the intention of making it to Athens two hours before the 3:30 kickoff. After almost 40 minutes of travel, on I-285 just past the exit for I-75, traffic stopped. Despite Google continuing to insist that we'd be out of the traffic jam in just "15 minutes," the next 4 miles took 2 hours. Eventually we learned that the source of the trouble was that somehow a box truck had overturned on a straight road and blocked three of four lanes of traffic not more than a half mile before the next exit, Jonesboro Road.

By the time we were finally past the accident, I calculated that even if everything went perfectly for the rest of the route to Athens, there was no way we could arrive, park, and make out way to our seats in Sanford Stadium until very near the end of the first quarter. So we made the decision to cut our losses and turn the car around and watch the whole game at home on TV instead. Somehow, it took almost 40 minutes to get home.

I was disappointed. Mom was disappointed. We were looking forward to the big game environment, where someone hatched a hairbrained plan to "stripe" the stadium in black, white, and red, requiring me to wear white instead of my typical red to a home game for the first time. That's probably why there was an accident. I didn't wear red and it broke the universe. Sorry, universe. (And if you saw the game on TV, you may have noticed the white end zones, but deciding to put the black stripe on the sunny side of an afternoon game? Are you trying to kill those people? Good on them for refusing the assignment.)

Sure, you can't always get what you want, but if you try, you might get what you need, so we made the best of a bad situation with some soft pretzels, Mexican Coke, and Culver's custard (Mom's idea for cushioning the blow) as we watched the Dawgs scratch out a win from our sofa with poodles and a havanese. That's my kind of unique.

(I took a picture of us in in our "Stripe the Stadium" whites in front of the TV showing Sanford Stadium pregame, but Mom looks better in this one in our back yard, so it's the one you get.)

Comments (1) | Leave a Comment | Permalink | Tags: atlanta culvers family football mississippi mom walter