Thursday 26 April 2018
65. (1294.) Gidget Goes Hawaiian (1961)
The second Gidget movie is much more comedic than its predecessor, and I admit that I prefer Sandra Dee over Deborah Walley. However, Hawaiian Gidget is not without its charm. The third act comedy of errors is especially entertaining.
66. (1295.) A Face in the Crowd (1957)
This is more or less a remake of All the King's Men, trading politics for television. Andy Griffith is particularly good, though Walter Matthau has all the best lines. Worth seeing for the lampooning of television product placement if nothing else.
67. (1296.) Stalag 17 (1953)
Damn, this is a good movie. I'm rather disappointed I hadn't seen it earlier. Highly recommended. (I think Billy Wilder is often judged purely on the strength of Some Like it Hot, but I think it might be my least favorite of his films. It seems every one I see is better than the last.)
68. (1297.) Paper Moon (1973)
Also highly recommended. You know, it's a rare thing to see a "modern" movie pull off a Depression era period piece so convincingly, both in style and content. This could just as easily have been made by Preston Sturges in the 1930s. Fantastic.
69. (1298.) Breakheart Pass (1975)
I felt this story was damaged considerably by the surprise twist reveal at the start of the third act that turned what had been an entertaining mystery into a rather boring spy thriller. Oh, well. They can't all be great.
70. (1299.) Spotlight (2015)
Back on the horse! Another amazing film, completely worthy of a Best Picture Oscar. Micheal Keaton is especially delightful. He impresses me more and more. Does anyone remember the debate about whether he was a good enough actor to play a Batman? Damn. In hindsight, he might be the best actor to ever play a Batman. (Take that, Affleck!)
More to come.