Movies for the second week in May. I'm getting really close to 150. When I get there, should I stop tracking, or should I try to see just how many I can watch in 2012?
141. The Innocents (1961)
Typically, I'm not much for ghost stories. In addition to relying heavily on maudlin sentimentality, their internal logic is always a necessary few steps out of sync with reality. I have a hard time "buying in," so to speak. But this film has great atmosphere, truly achieving a creepy vibe. Less is more, and the director knew it. I can respect that.
142. The Wolfman (2010)
Oh, my. This movie is bad. The original Universal Wolfman looked like a hirsute garbage collector. In trying to pay homage, this "update" so desperate for "realism" suffers all the worse for not updating this unrealistic looking monster in any significant way. It compounds this sin by making the transformations cgi! Hugo Weaving easily steals the film from both Benicio Del Toro and Anthony Hopkins his small role, but I'm used to that by now.
143. The Hangover Part II (2011)
I thought this was better than the first, but Trey thought it was more of the same. It is indeed more of the same, and maybe I just enjoyed it more because I knew the formula already.
144. Love Finds Andy Hardy (1938)
Twenty minutes of screen time are spent using a ham radio to deliver a message of good will in what passes as dramatic tension in this film. Another few minutes are spent hiring the domestic help, or haggling over a contract to buy a car. Riveting cinema! Forget watching paint dry, from now on, I'm going to use the expression "more boring than watching Andy Hardy."
145. Hanna (2011)
The best part about this action/revenge fantasy film is its European sensibility. It starts with an interesting premise and some pretty entertaining action scenes, but by the end of the film it has become just another action movie. The film is not helped by Cate Blanchett's disappearing/reappearing Southern accent.
146. The Adjustment Bureau (2011)
Trey had started watching this while I was in a conference call, so I only caught the last half of this action/romance movie. As you would expect, I find the "shadow government so big it controls the actions of everyone in the world but so secret no one has ever heard of it" concept ridiculous. And who doesn't love a movie whose moral is that if we are all just pig-headed enough, The Man will reward our asshole behavior with our heart's desire? Matt Damon seems earnest enough (as a politician!) that I begrudge this film no ill will.
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