60/2630. Undercurent (1946)
As much as I typically enjoy Katherine Hepburn, after years of establishing her public persona as an independent spirit, she's just not the right woman for this role of the sheltered ingenue who abruptly falls for and marries someone who from the very beginning is clearly the wrong man. This stunt casting was intentional as Robert Mitchum was also cast against type. Two wrongs don't make a right.

61/2631. The Steel Helmet (1951)
A contemporary anti-Korean War movie in which the protagonist is an unprincipled soldier interested only in his own survival. The small budget makes it all feel like a television show, so it's more like watching a play. I think that abstraction actually works in its favor.

62/2632. Ace of Aces (1933)
During World War I, sculptor Richard Dix works so hard to prove everyone is so wrong about how soft he is that he becomes a flying killing machine. I don't think there's any lesson in here, just standard melodrama.

63/2633. The Naked and the Dead (1958)
During World War II, Cliff Robertson argues to his asshole general that men will fight harder for leaders they respect than for leaders they fear. In this case, Cliff is proven right, but, I mean, he still gets mortally wounded. Was that really a win, Cliffy?

64/2634. Seven Days to Noon (1950)
It's a silly name for a procedural about the frantic search to catch a nuclear scientist planning to detonate a suitcase nuke in downtown London. The movie has enough strong parallels to George Clooney's 1997 Peacemaker (which I have always liked) that I think we can call the latter movie a remake.

More to come.

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