Flower

I first heard of Phair in 1993 in the Mazda Miata with Mom during the afternoon rush hour commute between Emory University and Newnan when Phair's debut Exile in Guyville album was reviewed on NPR.

Thanks to the Internet, I can tell you that day must have been Tuesday, July 20,¹ when Ken Tucker reviewed Exile in Guyville, released in June 1993, for Terry Gross's Fresh Air. That was the summer before my freshman year at Emory, so what was I doing in the car? Was I working part-time in the Pediatric Infectious Diseases office with Mom before my work-study position started in August, or was I just killing time driving the convertible around downtown Atlanta while Mom was working? Could have been either.)

The Internet also makes it possible for me to transcribe Tucker's praise for this song in particular:

There's a thin quality to Exile in Guyville. It ends up making you think that Liz Phair is something of a dabbler, that If this rock thing doesn't work out, she'll take up painting or maybe just use her trust fund to live in Paris for a while. But there's a core of about four or five songs here that are really first rate, and one in particular, called "Flower," that I can't play on the radio but which is as fine and bold a song as I've heard about sexual obsession.

Obviously, I had to have any album with that kind of recommendation. I probably bought the cassette at the Tower Records behind Lennox Mall, and I recall playing it quite a bit during the long commutes between Atlanta and Newnan. Listening to Phair always made me feel rebellious and cool, as good rock music should. "I'll take you home and make you like it," indeed.

Thanks, Internet!

¹ The Internet tells me July 20, 1993², was the same day that the press box caught on fire at Atlanta Fulton County Stadium, which 90s Atlanta Braves fans will recall as the day that Fred "Crime Dog" McGriff made his debut for the team, in his third at-bat hitting a home run to drive in Ron Gant to tie the game at 5-5 in the 6th inning. The fire didn't start until 6, so I think we found out about the fire after we got home. The fire delayed the game start until after 9; I might have watched it, but I don't have any memory of that.

² You know what else happened on July 20, 1993? Some guy named Vince Foster committed suicide. And no one ever uttered his name again.

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Following up on yesterday's post about the S-shield on Superman's cape: it has never appeared on any of the Superman balloons in the Macy's Thanksgiving Parade.

I previously posted about the very first Superman parade balloon from 1940 back in November 2008. That original balloon, used for only one year and record holder as the tallest balloon until 1982, had a loose red cape that came down just to the seat of its pants. The second Superman balloon (a particularly ugly one with a round chest) debuted in 1966, and its cape was a little longer but just as solid red. The third Superman balloon, the largest balloon since WWII and the one I painted in 2020, entered the parade in 1980, and despite several mishaps, flew each year until 1987. This last one also had a solid red cape, though it was a horizontal "flying" pose, so the back was never seen from street level.

The parade balloons are expensive to create and fill with helium (though the people who walk them through downtown Manhattan are all unpaid volunteers), so it shouldn't come as a surprise that the balloons that make the annual cut are the ones that Macy's can make money on. That was true even in 1940, when Macy's had a sponsorship deal with National Periodicals to produce exclusive Superman merchandise, as you can see from this advertisement from page 21 of the May 16, 1940, edition of the New York Daily News:

If you look at those illustrations of Superman, the S-shield is clearly visible on his cape. However, the "playsuit" that Macy's sold to kids, not so much. It was just a solid red sheet with a comics-inaccurate blue drawstring. (The pants featured pictures of Superman around the waist, so comics accuracy was clearly not a big concern.)

For the record, the very first Superman to ever appear in a parade was Ray Middleton, who dressed the part as the Metropolis Marvel for "Superman Day" on July 3 at the 1940 New York World's Fair. The event was created to promote the New York World's Fair Comic 1940 Issue featuring Superman (and Batman and Robin!). In the comic, Superman very clearly has a shield on his cape, but Middleton's costume didn't. If the "real" Superman had a solid red cape, the kids at Macy's couldn't be too disappointed.

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Maybe I should slow down these movie reviews, as I've really found it hard to find the time/desire to watch a lot of new-to-me films in the past few months. Fortunately, I got way ahead back in July, which was when I watched these, so try to pretend along with me that these are recent watches.

76/2508. The To Do List (2013)
The always surly Aubrey Plaza stars in this raunchy coming-of-age sex comedy from the female point of view. The cast is chock full o' SNL alumni, so I'm a bit surprised I didn't know about it earlier. Everyone is funny (especially Bill Hader), and I fully endorse it.

77/2509. This Side of the Law (1950)
Right off the bat, a lawyer hires a drifter to impersonate a dead man and settle his estate, and of course it's obviously a trap. (I've seen Fletch.) The real question, and the reason to watch, is to see how everybody (anybody?) survives all the double crosses. Not bad.

79/2511. Eurotrip (2004)
When this came out (in the wake of the success of the filmed-on-the-University-of-Georgia-campus Road Trip), someone told me it wasn't very good, so I didn't watch it. Now that I have seen it, I have to say that A) while it's certainly no Road Trip, I wouldn't call it unwatchable (though I also wouldn't blame anyone for not watching it), and B) while many of the sex jokes have not aged well in the decades since release, that's par for the course for sex comedies of any past era. What we put on screen says a lot about contemporary culture, and it would be a mistake to call the mid-2000s a "more civilized age" even considering the state of modern political discourse.

Dammit, man! She's a diabetic!

80/2512. The MacKintosh Man (1973)
Paul Newman (under) plays an undercover agent who has to rout out Communist traitors in Ireland. Underwritten and dull, it is not among legendary director John Huston's best works.

More to come.

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I don't know what in specific I thought I was saving this for, so I'll just put this here:

*This is an actual quote. Though I have started repeating it in sad desperation at what now passes itself off as American government, Colbert said it largely in jest at the end of his "Meanwhile" rant on August 14, 2024, in response to a July 25, 2024, article in the Associated Press about the Ohio Supreme Court's 4-3 decision that deboned chicken wings advertised as "boneless" may still contain bones. Per the report, the majority ruled that "boneless" was a style of preparation not a guarantee, and consumers should have the common sense to consume them with due caution without dining establishments fearing lawsuits from choking victims. I tend to agree with the court here, but I can see the point of the three dissenting justices that Americans are probably much, much dumber than the court gives them credit for.

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As I type this, the South Park episode in which Cartman inherits a million dollars and uses it to buy an amusement park (which causes Kyle to lose his faith in God) is on the 33-inch 16:9 ratio flatscreen LCD television beside my computer. According to Wikipedia, that episode, "Cartmanland," first aired on July 25, 2001. That's almost twenty-three years ago!

I distinctly remember watching the broadcast of the debut episode of South Park ("Cartman Gets an Anal Probe") on Comedy Central on basic cable via our communal 24-inch 4:3 ratio CRT TV in the apartment I shared with friends and former classmates Matt and Randy in unincorporated North Druid Hills. Matt had invited our old high school classmate, Tabitha, over for the evening, and she was absolutely appalled by the course humor, which, of course, only made it funnier. That was August 1997, and I was already in my second college.

To put those dates into perspective, I also distinctly remember watching the 20ish-inch wood-paneled TV in our family's basement as channel 46 (on the UHF dial) weatherman Denny Moore, wearing what we would now call Trekker cosplay, hosted a New Year's Eve 1980-something marathon of original Star Trek episodes. Although I'm not entirely sure of the year, I am sure that whatever year it was was definitely prior to The Next Generation being a thing.

The point of that being that in hindsight, there was less time between the date of that rerun marathon and the original broadcast dates of those Star Trek episodes than there has been between between now and 9/11.

Honestly, I'm starting to think that the real difference between the past and the present is that there were barely 3 seasons of Star Trek and South Park has a contract to keep making episodes into its 30th season. The Good Old Days were a very brief time indeed.

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In news shocking to all Baby Boomers and younger, it has been widely reported that current manufacturer Ferrara Candy has decided to discontinue Fruit Stripe Gum, thereby once-and-for-all answering the question: no, we will not still feed you when we are 64.

Sixty-four years is a long time, but Ferrara Candy has only been selling Fruit Stripe for a small fraction of that time. Prior to 2012, Ferrara Candy was known as Farley & Sathers Candy, which itself was only founded in 2002 and bought the pre-existing Fruit Stripe brand from Hershey Foods in 2003. Hershey only had Fruit Stripe for about a year; they bought it in 2001 from Nabisco, which had acquired it in a 1981 merger with E.R. Squibb Company, which got their hands on it in a 1968 merger with Beech-Nut Life Savers who had introduced it in 1960.

(For more fun information on American corporation brand hi-jinks through history, I encourage you to visit the online archive of the United States Patent and Trademark Office, which retired their old TESS [Trademark Electronic Search System] last year for a more modern and easier to use but less acronymically friendly "cloud-based trademark search system" [CBTSS? Blech.] )

As has been the trend in recent beloved-but-unprofitable food brands being killed off by one corporate parent only to spring back to life under another (see: Hostess Twinkies and Necco Wafters), I expect that this media brouhaha will lead to continued life for Fruit Stripe. In fact, as of January 10, there is already a pending request at the US Patent Office for a new trademark just registered by Iconic Candies, a company dedicated to continuing discontinued "classic brands" like Bar None (discontinued by Hershey in 1997) and Creme Savers (discontinued by M&M/Mars in 2011).

Anyway, while we await zombie Fruit Stripe's inevitable return, in tribute to its nostalgic greatness, I offer a page from my personal comic book collection in which I demonstrated my 4-year-old's love of brightly artificial-colored, briefly artificially-flavored chewing gum by helping brand mascot Yipes the zebra navigate a maze of marketing Q&As.

from The Friendly Ghost, Casper, July 1980, No. 211

(Disclaimer: I might have cheated.)

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Peanuts for July 6, 1976 via GoComics.com

My inner Walter is a Lucy.

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From the Wacky Neighbor Department:

Peacemaker Tries Hard #1, July 2023

James Gunn's Peacemaker show on HBO was a big hit, so of course its star eventually found his way into his own comic book, bringing the continuity of his DCEU — that's "DC Extended Universe," by which we mean the setting and characters of the Warner Bros movies featuring DC Comics intellectual property — with him.

In this particular case, that's a good thing, because it lets us spend time with characters who, in the comic book DC Universe — the "DCU," 'natch — remain dead.

Characters like the Red Bee.

That's him there, in his civilian identity. Back in the day, Rick Raleigh was an assistant district attorney. But that's not so far removed from being a parole office for super criminals.

It would seem that an old man with a beard like that would be retired from super-heroics, and there's no explicit reference to the "Red Bee" nom de guerre in this particular issue. But keep your eyes out, kids, because something* tells me we'll be seeing more of the Red Bee in issues to come.

* That "something" is the retailer solicitation for advanced issues.

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National Comics #1, July 1940

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Last week, TCM ran a documentary on early 20th-century filmmaker Oscar Micheaux. I've seen at least parts of a few of Micheaux's films, including his response to Birth of a Nation earlier this year. I didn't include the documentary in my most recent movie reviews because I typically like to work my way through what I watch chronologically. However, we are running out of June, and I really should cover this one before the calendar turns to July.

59/2225. Oscar Micheaux: The Superhero of Black Filmmaking (2021)

As you can see from the title, documentarian Francesco Zippel really plays up the superhuman efforts that Micheaux had to perform to get his films about Black American life and starring Black Americans shown to (mostly Black) audiences. The film focuses on Micheaux's works and achievements but is light on actual biographical details of the man himself, admitting that many aspects of the man's personal life are unclear.

But what motivates me to post this during Superman Month is that Micheaux was born to a freed former slave in Metropolis, Illinois! That was 1884, about 90 years before the city embraced its tenuous connection to the Superman mythos.

The documentary concludes with a lamentation that Metropolitans would choose to erect a giant statue to a fictional hero instead of a true native son. But to be entirely fair, Micheaux was public about the social struggles of his early life in Metropolis, and he left town for good at the age of 17. On the other hand, everyone knows that once Superman moved to Metropolis, he stayed there.

A statue might be a bit much, but at the very least, you'd think they'd give him a plaque. Or a star on the sidewalk. If it's good enough for D.W. Griffith....

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