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I've discovered that the trick about quitting your job so that you'll have more time to work on your own projects (the "great American novel," a new boat, or -- as in my case -- a comic book) is that everyone that you know says, "hey, you don't have a job, why don't you come give me a hand doing >insert diversion task here< for little or no money. In my case, the activity of my social life is inversely proportional to my economic income.

On a very related note, I took to watching T.J. Hooker seasons 1 & 2 on DVD this week. Hooker represents the golden years (cue tv host Tom Massie: "GoooOOOOOoooold!") of Shatner television. The character of Hooker is somewhere between Dirty Harry and Joe Friday; a television recycling of the high-water points of previous TV cops into a confusing mess of ideology and practice. Hooker is a walking cliche: a "tough-as-nails" ex-soldier turned cop who left his cushy detective desk job to return to the mean streets of the unnamed "L.C." city as a beat cop with a rogue streak and a rookie partner. Confusingly, these beat cops spend more time solving major crimes (snipers, stalkers, gun runners, and other common television crime cases) than the plain-clothes detectives of the uncommonly mundane named "Academy Precinct." Shatner pulls it off with aplomb. If you've not seen it yet, get to it, cadet!

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To be continued...


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