Want a sneak peek at an in-progress yard sign in my studio right now? Feast your eyes on this (first-coat) primed sheet of plywood!

In animation, they say good character design is a figure you can recognize by its silhouette. So I probably don't have to tell you who that will eventually be a painting of.

Speaking of design, I was often asked in art school why I would bother doing so much prep work before I painted, as if suggesting there was no point in painting something if I already knew how the finished product would look. (I was also told my work was often "clever in a bad way," whatever that means.) Maybe the finished work of abstract expressionists reveals deep truths about, er, something to its creators, but even if that's true, maybe I just don't like surprises or, as the inimitable Bob Ross would call them, "happy accidents."

I have a good friend from college who still believes that my work is craftsmanship, not art. To be fair, he doesn't mean that as an insult. We both have nothing but respect for great craftsmen. I once knew a very impressive young draftsman at J.C. Booth Junior High School who could recreate freehand anything he could see at any size. He was a craftsman, and I still think his work was pretty darn good.

I'd define craftsmanship as the ability to execute a plan skillfully. But someone has to create the plan in the first place, and the ability to visualize that plan is what makes someone an artist. The greatest artists lie in the Venn Diagram intersection of craftsmen and artists. Leonardo, Michelangelo, Donatello, Bob Ross... they could all think up a great idea and execute it. That kid in junior high lamented he couldn't draw anything from imagination. I hope he kept trying. I happen to believe that while not everyone has the natural tools to be a craftsman, anyone with an idea can be an artist.

I don't mean to suggest that I'm the equal of Bob Ross, and maybe I do tend to overthink (and underexecute) my pieces, but I will insist I'm an artist.

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