Thursday 22 September 2022
I know that it's still Football and Batman Month, but this movie rundown has no Batman or Football content in it. Sorry about that. I'll try harder next year.
109/2118. We Met in Virtual Reality (2022)
This documentary shines such a colorful spotlight on some of the most virtuous and positive aspects of the virtual reality metaverse that it often feels like a sales pitch. If I didn't already have decades of personal experience that the reality seldom matches the brochure, I might have been swept away. Still, it *is* nice to think that someday maybe we *can* build such a utopia. (If you ask me, no place can be a paradise without Coca-Cola.)
110/2119. Hollywood Shuffle (1987)
Robert Townsend created a very funny movie about the very serious problem the American movie industry has representing Black people on film. It's very good.
111/2120. Promising Young Woman (2020)
I like a good revenge movie, and this is a great revenge movie especially because instead of terrorists or mafia, the villains are apologists for boys-will-be-boys sexual misconduct. It also helps that the cast is chock full of talented comedic actors, an unusual casting choice that really underlines the theme of a two-faced society. Recommended.
112/2121. Danger Lights (1930)
The "danger lights" in the title are railroad markers that warn engineers of obstructions on the track. In this case, the danger is a love triangle. It's not a great film, but it does have some great shots of period railroads. Consider it an historical curiosity.
113/2122. Licorice Pizza (2021)
A very episodic story of a May/December romance based on actual events in early 1970s Los Angeles, Licorice Pizza gets by largely on the freshness of its lead actors. As you must know by now, I'm a sucker for coming-of-age stories, even when the outcome of the love story seems completely unearned.
Paradise is a 1970s analog radio booth.
More to come.