Look, maybe we would all be better off if we just stayed home and watched more movies.

45/2054. Once Upon a Time... In Hollywood (2019)
I thought Quentin Tarantino was a genius from the moment I saw Pulp Fiction at Tara Theater in Atlanta in fall 1994, but ever since Inglourious Basterds I've felt he's increasingly interested only in making alt-history torture porn. Once Upon a Time... certainly has more than a little bit of that. However, I think this film transcends that limitation, creating a commentary on modern culture by looking at a time that was no better or worse than today but was infinitely better at crafting its own mythology. In other words, it's a very good film.

46/2055. Schindler's List (1993)
Hey, Randy, I finally watched Schindler's List. You're right, even though Spielberg is up to all his old audience-baiting tricks, it is an amazing movie that should be seen by every living person at least once. (In the first act, I thought, "How could they make this selfish prick into a hero?" And then the movie made me believe. Both the viewer and Oscar Schindler will come to realize that monsters are real.)

47/2056. Encanto (2021)
At last Disney finally embraced the fact that they can no longer write a comprehensible narrative in a children's film and just stopped trying. If colorful characters and catchy songs are enough to entertain you for an hour-and-a-half.... you won't feel the need for me to finish this complete thought.

48/2057. Morgan (2016)
Yeah, I watched this just because it starred Anya Taylor-Joy, and from that goal, it was worth it. That said, it is an otherwise disappointing thriller about the dangers of artificial intelligence that is terrified of exploring *any* of the questions it raises. Keep your expectations very, very low.

49/2058. Cabaret (1972)
I'd never been a fan of Liza Minelli's public persona, so I hadn't seen this film because I expecting I wouldn't like her in it. I was right. I found her character very, very irritating. On the other hand, I also found I could strongly associate the movie's central theme of societal outsiders trying to dance while knowing the world around them was burning. So... mixed bag?

50/2059. Cry Macho (2021)
The naturalistic performances might be the best example of Clint Eastwood's directorial style, but this film is not his best work, mainly because the weak script does not prove enough of a framework to support a bunch of actors standing around being their own, empty selves.

More to come.

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To be continued...

 

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