Movies, July, Group 2 of 2:
101. (1160.) Spellbound (1945)
This is the Hitchcock movie from which Mel Brook's High Anxiety draws its most ardent inspiration. It's pretty good, too, though the third act had me asking "why isn't this over yet?" It's almost like there's a twist for twist's sake, a very un-Hitchcock ending.
102. (1161.) Baby Driver (2017)
I really wanted to see this, and it proved just as satisfying as I hoped, like one long music video/Steve McQueen action film mash-up. Highly recommended to fans of 1970s action films like The Getaway, Bullitt, or even Vanishing Point.
103. (1162.) Killer Fish (1979)
Lee Majors chose to make this film straight off the success of The Six Million Dollar Man, and I have no idea why he would do such a thing. It's a terrible film, a Jaws derivative made by people who really don't understand or care about character or dialog. Avoid this.
104. (1163.) White Comanche (1968)
On the other hand, William Shatner made this straight off the success of Star Trek, and who wouldn't want to see The Shat play good and evil half white, half indian twins in a spaghetti western? Must see for Shatner fans.
105. (1164.) The Mighty Quinn (1989)
Denzel Washington in the film that made him a star! Ok, maybe not (that's probably Philadelphia), but it's still an enjoyable, quirky crime drama set in Jamaica that marches to the beat of its own steel drum.
106. (1165.) The Age of Innocence (1993)
I suggest that this is among the best Martin Scorsese movies. The sets are amazing, the acting superb, and the cinematography second to none. Surprisingly, this film — which I understand is very loyal to Edith Wharton's Pulitzer Prize winning book — reminded me most of American Psycho in its depiction of the hollowness of New York society (even in the 19th century). Totally worth a watch.
More to come.